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"Here one tracks the chaotic imagination, and the emergent literatures that follow in its wake, searching after a certain breaking-point of thought from which there is no return. As such, this work ex

A fragmentary catalogue of poetic derangements that reveals the ways in which mania communicates with an extreme will to annihilationWhat kind of circumstances provoke an obsessive focus on the most m

Discusses how contemporary Iranian and Middle Eastern thinkers and artists are forging a new postmodern vision.

Writing has come face-to-face with a most crucial juncture: to negotiate with the inescapable presence of violence. From the domains of contemporary Middle Eastern literature, this book stages a power

An infernal catalogue of manic visionaries, inspired by the poetry of the Middle East.In a new work in which conceptual elaboration, storytelling, and poetics are fused in the infernal heat of the desert, the cycle of Omnicide is closed with a philosophy of doom, deception, and the game, plunging headlong into the inevitable, the fatal, and the infinite. A series of controlled combustions fuelled by fragments drawn from the poetry and literature of the Middle-East, Omnicide II introduces us to a new cast of manic visionaries, from the Selemaniac to the Crystallomaniac, the Bibliomaniac to the Aeromaniac. In his relentless cataloguing of the myriad figures and portents of omnicidal doom, Jason Bahbak Mohaghegh resumes the offensive of those writers, artists, and thinkers for whom the fiercest creative incandescence is only kindled in the shadow of certain doom. Amid war cries and lullabies, mages, wolves and pelicans, sabres and crystals, drones and soul-stealers, in settings

Presenting an engaging reflection on the work of prominent modern Iranian literary artists in exchange with contemporary Continental literary criticism and philosophy, this book tracks the idea of sil

Discusses how contemporary Iranian and Middle Eastern thinkers and artists are forging a new postmodern vision.

Presenting an engaging reflection on the work of prominent modern Iranian literary artists in exchange with contemporary Continental literary criticism and philosophy, this book tracks the idea of sil

These manifestos for the future of world thought offer a uniquely global outlook by incorporating forceful examples from both western and non-western regions and placing important movements of western

Since cosmopolitanism has often been conceived as a tenet of 'Western civilization' that emanates from its Enlightenment-based origins in a humanist age of modernity, Iranian Identity and Cosmopolitan

These manifestos for the future of world thought offer a uniquely global outlook by incorporating forceful examples from both western and non-western regions and placing important movements of western

In this significant new work in African Philosophy, Christopher Wise explores deconstruction's historical indebtedness to Egypto-African civilization and its relevance in Islamicate Africa today. He d

Does a philosopher have an 'identity'? What kind of 'identity' is mobilized when the work of a philosopher becomes a major reference for certain schools of thought, as in the case of Gilles Deleuze an

Does a philosopher have an 'identity'? What kind of 'identity' is mobilized when the work of a philosopher becomes a major reference for certain schools of thought, as in the case of Gilles Deleuze an

From Sartre to Levinas, continental philosophers have looked to the example of the Jew as the paradigmatic object of and model for ethical inquiry. Levinas, for example, powerfully dedicates his 1974

Remaking Politics, Markets, and Citizens in Turkey critically analyses the travel of neoliberal ideas, policies, experts and institutions from the West to Turkey. Through an ethnographic investigation

In The Qur'an and Modern Arabic Literary Criticism, Mohammad Salama navigates the labyrinthine semantics that underlie this sacred text and inform contemporary scholarship. The book presents reflectio

Positioning race front and centre, this book theorizes that political violence, in the form of a socio-political process that differentiates between human and less-than-human populations, is used by t

Using the work of Edward Said as a point of departure, this book dissects the concept of Orientalism through the lens of 19th century missionary impressions of Kurdistan. Wilcox argues that dominant i