In this pioneering analysis of diffuse underclass anger that simmers in many societies, Joan Neuberger takes us to the streets of St. Petersburg in 1900-1914 to show us how the phenomenon labeled hool
Eisenstein's last, unfinished masterpiece is a strange, complex and haunting film. Commissioned personally by Stalin in 1941, Ivan the Terrible placed Eisenstein in the paradoxical situation of having
Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the f
Europe and the Making of Modernity, 1815-1914 is a clear and engaging chronicle of the political, economic, social, and cultural changes that transformed Europe during the nineteenth century. An intro
What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? Th
Imitations of Life views Russian melodrama from the eighteenth century to today as an unexpectedly hospitable forum for considering social issues. The contributors follow the evolution of the genre th
