NEW YORK TIMES BESTSELLERHistory was made at the 2015 Belmont Stakes when American Pharoah won the Triple Crown, the first since Affirmed in 1978. As magnificent as the champion is, the team behind hi
In Black Maestro, Joe Drape meticulously brings to life the drama, adventures, romances, and heartbreaks of an unlikely participant in the greatest historical events of the twentieth century. It is a
Bestselling author Joe Drape reveals the unique pressures and expectations that make a year of Army football so much more than just a tally of wins and losses.The football team at the U.S. Military Ac
History was made at the 2015 Belmont Stakes when American Pharoah won the Triple Crown, the first since Affirmed in 1978. As magnificent as the champion is, the team behind him has been all too human
New York Times journalist and bestselling author Joe Drape takes us inside the modern-day process of the making of a saint -- part biography of a wartime adventurer Father Emil Kapaun, part detectiv
The football team in Smith Center, Kansas, holders of the nation’s longest high-school winning streak, embrace a philosophy of life taught by their legendary coach, Roger Barta: Respect e
An inspiring portrait of the extraordinary high-school football team whose quest for perfection sustains its hometown in the heartlandThe football team in Smith Center, Kansas, has won sixty-seven ga
Rich in detail and crackling with wit, The Race for the Triple Crown is a personal narrative that captures the affecting stories of the Thoroughbred racing world. From ostentatious owners, to radiant
History was made at the 2015 Belmont Stakes when American Pharoah won the Triple Crown, the first since Affirmed in 1978. As magnificent as the champion is, the team behind him has been all too human
"The football team at the U.S. Military Academy is not like other college football teams. At other schools, athletes are catered to and coddled at every turn. At West Point, they carry the same arduou
This book contains 168 photographs of thoroughbred racing taken by award-winning photographer Arthur Frank in the United States, France, and Ireland, and is introduced by a personal essay by The New Y