This book takes a critical look at the work of one of the twentieth-century's most influential playwrights from the viewpoint of those whose job it is to give the work life on the stage. From personal experience of over seventy productions, from interviews with numerous Beckett actors and directors, and in rare conversations with the playwright himself, Kalb addresses such fundamental questions as: is the task of performing Beckett categorically different from that of performing other forms of theatre? Is the audience's role different, and if so, how? The result is a new insight into particular problems of producing Beckett's early and late works, television plays, and prose works adapted for the stage. The book contains numerous performance photographs and an appendix of interviews with actors and directors involved in seminal Beckett productions.
"Reading this book is certainly a vigorous experience. Kalb's sense of nuance, unpredictability, and the complexity of perception brings these productions to life. He is our surrogate, our scapegoat e
The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important Ger
This collection features 22 essays and reviews written between 1993 and 2002 by well-known drama critic Jonathan Kalb (theater, Hunter College). The volume begins with a recent university lecture on
We know that size matters in many areas of human endeavor, but what about works of the imagination? Why do some dramatic creations extend to five hours or more, and how does their extreme length help
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