William Sharlin (1920–2012) was a cantor, synagogue composer, teacher and musicologist. Raised in an Orthodox household, he turned toward Universalism and the liberal Reform movement. A member of the
Social Functions of Synagogue Song: A Durkheimian Approach by JonathanL. Friedmann paints a detailed picture of the important role sacred music plays in Jewish religious communities. Drawing upon the
Emotions in Jewish Music is an insider’s view of music’s impact on Jewish devotion and identity. Written by cantors who have devoted themselves to the study and execution of Jewish music, the book’s s
Quotations on Jewish Sacred Musicis a collection of over 700 quotations culled from an array of sources, including rabbinic and theological texts, sociological and anthropological studies, and histori
"This book investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered f
This collection of historically significant essays focuses on the purpose and function of sacred music. Issues of historicity, spirituality, standardization and other topics central to the study of P
Perspectives on Jewish Music presents the research and reflections of leading scholars and practitioners of Jewish secular and sacred music. The book's wide-ranging topics are examined from a variety
"This book explores the intricate and multifaceted nature of biblical music through a detailed look into four major episodes and genres. This investigation demonstrates how music helped shape and defi
With the nineteenth century came new freedom for European Jews. Enjoying an integration that had been denied since the Middle Ages, they now wrestled with the form and degree of that integration in a
"Music research has entered something of a Golden Age. Technological advances and scholarly inquiry have merged in interdisciplinary studies--drawing on psychology, neuroscience, evolutionary biology,
"This book offers a representative collection of insightful essays about devotional music from nineteenth-century scholars and practitioners. Addressing the social and theological import of church mus