The desire to engage and confront traumatic subjects was a facet of Irish literature for much of the twentieth century. Yet, just as Irish society has adopted a more direct and open approach
The desire to engage and confront traumatic subjects was a facet of Irish literature for much of the twentieth century. Yet, just as Irish society has adopted a more direct and open approach
This original and engaging study explores the way in which Colm Tóibín repeatedly identifies and disrupts the boundaries between personal and political or social histories in his fiction. Through this
Irish author (Eleanor) Norah Hoult (1898–1984) travelled in prominent literary circles and corresponded actively with some of the leading Irish authors of the early twentieth century, including James
