Critics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or "White Negroes," who romanticized black culture as anar
Critics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or "White Negroes," who romanticized black culture as anar
Chabot Davis analyzes contemporary texts that bond together two seemingly antithetical sensibilities: the sentimental and the postmodern. Ranging across multiple media and offering a methodological un
