It's like being at a crossroads - a point of absolute, unequivocal change. It makes the blood rush.Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed
"Chakrabarti has crafted a rich psychological study that's also a shrewd portrait of the theatre as an institution - its vanities and strange conventions, its politics and sense of community, the oppo
"An exhilarating, fascinating and eye-opening journey with two of our most inspirational creatives. A must-read for anyone interested in the crafts of acting and writing or considering a career as a s
