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Through an exploration of women authors' engagements with copyright and married women's property laws, American Women Authors and Literary Property, 1822–1869, revises nineteenth-century American literary history, making women's authorship and copyright law central. Using case studies of five popular fiction writers - Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta Evans, and Mary Virginia Terhune - Homestead shows how the convergence of copyright and coverture both fostered and constrained white women's agency as authors. Women authors exploited their status as nonproprietary subjects to advantage by adapting themselves to a copyright law that privileged readers'access to literature over authors' property rights. Homestead's inclusion of the Confederacy in this work sheds light on the centrality of copyright to nineteenth-century American nationalisms and on the strikingly different construction of author reader relations under U.S. and Confederate copyright laws.

Through an exploration of women authors' engagements with copyright and married women's property laws, American Women Authors and Literary Property, 1822–1869, revises nineteenth-century American literary history, making women's authorship and copyright law central. Using case studies of five popular fiction writers - Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta Evans, and Mary Virginia Terhune - Homestead shows how the convergence of copyright and coverture both fostered and constrained white women's agency as authors. Women authors exploited their status as nonproprietary subjects to advantage by adapting themselves to a copyright law that privileged readers'access to literature over authors' property rights. Homestead's inclusion of the Confederacy in this work sheds light on the centrality of copyright to nineteenth-century American nationalisms and on the strikingly different construction of author reader relations under U.S. and Confederate copyright laws.

A republication of the author's most autobiographical novel tells the story of a young opera singer who, leaving behind the dull values of her small hometown, is determined to shape her own destiny, d

The prolific nineteenth-century writer E. D. E. N. Southworth enjoyed enormous public success in her day—she published nearly fifty novels during her career—but that very popularity, combined with her

Linking Willa Cather to “the modern” or “modernism” still seems an eccentric proposition to some people. Born in 1873, Cather felt tied to the past when she witnessed the emergence of twentieth-centur

A pioneering American novel of manners first published in 1830, Catharine Sedgwick's Clarence follows heiress Gertrude Clarence as she negotiates the perils of the marriage market in New York City. Gi

This volume situates My Ántonia as a novel that stands the test of time by including in its pages an extraordinarily wide range of historical, cultural, literary, psychological, thematic, perce