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Nanette De Jong (1)
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作者:Nanette De Jong  出版社:Indiana Univ Pr  出版日:2012/04/24 裝訂:平裝
As contemporary TambAo music and dance evolved on the Caribbean island of Curacao, it intertwined sacred and secular, private and public cultural practices, and many traditions from Africa and the New
無庫存,下單後進貨(到貨天數約30-45天)
定價:1500 元, 優惠價:1 1500
The Cambridge Companion to Caribbean Music
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作者:Nanette de Jong  出版社:Cambridge Univ Pr  出版日:2022/08/31 裝訂:平裝
The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.
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定價:1494 元, 優惠價:9 1345
作者:Nanette de Jong  出版社:Cambridge Univ Pr  出版日:2022/08/31 裝訂:精裝
The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.
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