In a pluralistic society without absolute standards of judgment, how can an individual live a moral life? This is the question Robert Musil (1880-1942), an Austrian-born engineer and mathematician tur
This study analyzes avant-garde photomontage art created by German artists in the 1920s and 1930s associated with the Dada, Constructivism, and New Objectivity movements. There is special focus on how
The Chatter of the Visible examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies
