The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to "revive" buen gusto (good taste) are the themes of this collection of essays. The
From the Foreword by Paul B. Niell:“To decolonize refinement, to us, is to critique the role of visual and material culture in the constitution of the coloniality of power from 1492 to the present fro
