With the success of Martin Scorsese’s Hugo (2011) and Michel Hazanavicius’sThe Artist (2011) nothing seems more contemporary in recent film than the styles, forms, and histories of early and silent ci
With the success of Martin Scorsese’s Hugo (2011) and Michel Hazanavicius’sThe Artist (2011) nothing seems more contemporary in recent film than the styles, forms, and histories of early and silent ci
