Poetry. R.H.W. Dillard's long-awaited seventh collection consists of a sequence of fifty-two poems, each sixteen lines long, each addressed to a dead poet or several times to more than one dead poet.
Darting into the unknown as only the best poetry safely can, R. H. W. Dillard’s new collection bursts with bold violations of customs, ?ights of fancy, and insouciant leaps of tone and form. Unwaverin
Poetry. NOT IDEAS finds its life force especially in Wittgenstein and Williams, in Philosophical Investigations and Paterson. It alternately celebrates and condemns, coruscating with intelligence, wit