1960s Japan was one of the world's major frontiers of vanguard art. As Japanese artists developed diverse practices parallel to, and sometimes antecedent to, their Western counterparts, they found the
Innovative artists in 1960s Japan who made art in the "wilderness" -- away from Tokyo, outside traditional norms, and with little institutional support -- with global resonances.1960s Japan was one of
This catalogue, accompanying the exhibition of the same title at the Samuel Dorsky Museum of Art at SUNY New Paltz (August 29 through December 16, 2012), examines the fifty-year career of Ushio Shinoh
This special issue explores the significance of collectivism in modern and contemporary Japanese art. Japanese artists banded together throughout the twentieth century to work in collectives, reflecti
Since the 1950s, many Japanese artists have made their homes and careers in New York––some for enhanced exposure to the international art world or to challenge themselves to take their artwork in new
As unknown areas have disappeared from maps with increasing speed, "wilderness" has returned in art. Expeditions as an artistic medium, visions of a post-human world or renegotiations of the relations