Giacomo Meyerbeer (1791a€“1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticit
Recent developments in Pentateuchal studies - from both diachronic (historical) and synchronic (literary-textual) perspectives - have made it possible to read Genesis 18 and 19, the evocative story of
