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This book challenges historians to come to terms with the distortions that they systematically introduce into their work by their reliance on what has been written on paper without looking at what was and was not written on the body. This book is concerned with the ways in which texts relating to classical Greece, and in particular to classical Athens, classified people and with the extent to which those classifications could be seen by the eye. It compares the qualities distinguished in texts to those distinguished in sculpture and painted pottery, and emphasises the frequent invisibility of the categories upon which historians have laid most stress – the citizen, the free person, the foreigner, even the god. The frequent impossibility of seeing who belonged to which category has major political, social and theological implications which are explored here, as well as potentially revolutionary implications for all future historical writing.

Demos is a study of a classical city-state. It is the first attempt to provide an integrated account which gives due attention to the countryside as well as the urban areas of a polis. Concentrating on classical Athens, for which the literary and archaeological evidence is richest, Dr Osborne establishes the nature of settlement in the countryside and explores how this relates to the farming of the land, the exploitation of mineral resources, and the nature of political participation in both local and central politics. Further studies reveal the way in which the countryside was structured by religious institutions and cults and by the nature of the family.

There are plenty of dates and events in his succinct account of ancient Greece, says Osborne, but he emphasizes what he thinks real history is: how people relate to one another and to their environmen

Greek History: The Basics is a concise and compelling introduction to the study of Ancient Greece from the end of the Bronze Age to the Hellenistic era. With a chapter on each key period of Greece’s a

Demos is a study of a classical city-state. It is the first attempt to provide an integrated account which gives due attention to the countryside as well as the urban areas of a polis. Concentrating on classical Athens, for which the literary and archaeological evidence is richest, Dr Osborne establishes the nature of settlement in the countryside and explores how this relates to the farming of the land, the exploitation of mineral resources, and the nature of political participation in both local and central politics. Further studies reveal the way in which the countryside was structured by religious institutions and cults and by the nature of the family.

Archaic and Classical Greek Art is a revolutionary introduction to the images and sculptures of Ancient Greece from the Geometric period to the early Hellenistic. By carefully examining the context in

Whatever aspect of Athenian culture one examines, whether it be tragedy and comedy, philosophy, vase painting and sculpture, oratory and rhetoric, law and politics, or social and economic life, the picture looks very different after 400 BC from before 400 BC. Scholars who have previously addressed this question have concentrated on particular areas and come up with explanations, often connected with the psychological effect of the Peloponnesian War, which are very unconvincing as explanations for the whole range of change. This book attempts to look at a wide range of evidence for cultural change at Athens and to examine the ways in which the changes may have been coordinated. It is a complement to the examination of the rhetoric of revolution as applied to ancient Greece in Rethinking Revolutions through Ancient Greece (Cambridge, 2006).

This 2004 collection of papers includes some of the most innovative history written about Greece and Rome. The volume offers a convenient and enthralling guide to important issues and topics in Greek and Roman history, maps the changing interests of ancient historians and raises stimulating questions about historical method. The contributors to the volume represent many of the most exciting and influential ancient historians who have been active in the last quarter century. An introduction by the editor, which places the papers in the wider context of changing interests in Greek and Roman history, sets the scene for papers on Greek warfare, the regulation and representation of women and the nature and study of homosexual relationships in Athens, the relationship between Rome and its empire, whether Rome was democratic, the ideology of Augustan Rome, games and gaming at Rome, the lives of slaves, the ancient interpretation of dreams, the nature of religious pilgrimage, early Christian m

This 2004 collection of papers includes some of the most innovative history written about Greece and Rome. The volume offers a convenient and enthralling guide to important issues and topics in Greek and Roman history, maps the changing interests of ancient historians and raises stimulating questions about historical method. The contributors to the volume represent many of the most exciting and influential ancient historians who have been active in the last quarter century. An introduction by the editor, which places the papers in the wider context of changing interests in Greek and Roman history, sets the scene for papers on Greek warfare, the regulation and representation of women and the nature and study of homosexual relationships in Athens, the relationship between Rome and its empire, whether Rome was democratic, the ideology of Augustan Rome, games and gaming at Rome, the lives of slaves, the ancient interpretation of dreams, the nature of religious pilgrimage, early Christian m

Whatever aspect of Athenian culture one examines, whether it be tragedy and comedy, philosophy, vase painting and sculpture, oratory and rhetoric, law and politics, or social and economic life, the picture looks very different after 400 BC from before 400 BC. Scholars who have previously addressed this question have concentrated on particular areas and come up with explanations, often connected with the psychological effect of the Peloponnesian War, which are very unconvincing as explanations for the whole range of change. This book attempts to look at a wide range of evidence for cultural change at Athens and to examine the ways in which the changes may have been coordinated. It is a complement to the examination of the rhetoric of revolution as applied to ancient Greece in Rethinking Revolutions through Ancient Greece (Cambridge, 2006).

These collected papers construct a distinctive view of classical Athens and of Athenian democracy, a view which takes seriously the evidence of settlement archaeology and of art history. This evidence both casts new light on traditional questions and enables new questions to be asked, questions concerning the experience of being an Athenian citizen, how the institutions of democracy affected the Athenian economy, and how the rituals of religion related to the rituals of democratic politics. Unlike books on Athenian democracy which focus on the Assembly and Council, this book gives full weight to women as well as men, slave as well as free, and the rural worker as well as the leisured man about town. Robin Osborne's work has been in the forefront of the resurgence of interest in Athenian law and Athenian religion; these essays are each placed in their scholarly context, and point the direction for future research.

These collected papers construct a distinctive view of classical Athens and of Athenian democracy, a view which takes seriously the evidence of settlement archaeology and of art history. This evidence both casts new light on traditional questions and enables new questions to be asked, questions concerning the experience of being an Athenian citizen, how the institutions of democracy affected the Athenian economy, and how the rituals of religion related to the rituals of democratic politics. Unlike books on Athenian democracy which focus on the Assembly and Council, this book gives full weight to women as well as men, slave as well as free, and the rural worker as well as the leisured man about town. Robin Osborne's work has been in the forefront of the resurgence of interest in Athenian law and Athenian religion; these essays are each placed in their scholarly context, and point the direction for future research.

A Cultural History of Objects in Antiquity covers the period 500 BCE to 500 CE, examining ancient objects from machines and buildings to furniture and fashion. Many of our current attitudes to the wor

Robin Osborne's energetic and lively guidebook is the ideal introduction to the study of ancient Greece, from the end of the Bronze Age (c.1200BC) to the Roman conquest in the second century BC. Cover

This book challenges historians to come to terms with the distortions that they systematically introduce into their work by their reliance on what has been written on paper without looking at what was and was not written on the body. This book is concerned with the ways in which texts relating to classical Greece, and in particular to classical Athens, classified people and with the extent to which those classifications could be seen by the eye. It compares the qualities distinguished in texts to those distinguished in sculpture and painted pottery, and emphasises the frequent invisibility of the categories upon which historians have laid most stress – the citizen, the free person, the foreigner, even the god. The frequent impossibility of seeing who belonged to which category has major political, social and theological implications which are explored here, as well as potentially revolutionary implications for all future historical writing.

How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek cultureWhy did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in class

Greece in the Making 1200–479 BC is an accessible and comprehensive account of Greek history from the end of the Bronze Age to the Classical Period. The first edition of this book broke new grou

Greece in the Making 1200–479 BC is an accessible and comprehensive account of Greek history from the end of the Bronze Age to the Classical Period. The first edition of this book broke new ground by

Classical Greece provides an analysis of the physical setting of and the archaic legacy to the classical city, its economy, its civic and religious institutions, the waging of war between cities, the