As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawk
Sam Rohdie's insightful and compelling analysis of Luchino Visconti's 1960 epic of modern urban life provides reveals the film as one of the greatest masterpieces of Italian cinema. Rocco tells the
This book is an innovative attempt by a leading film theorist to locate cinema--from the earliest experiments, via the work of Federico Fellini, Alfred Hitchcock, Roberto Rossellini, Orson Welles and
This book is at once a detailed study of a range of individual filmmakers and an exploration of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order
Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painleve, Jean Vigo, and Georges Franju. In each case the author finds original points of reference and cross-refer
As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawk
"... a keen and brilliant critical account of Pasolini’s films and writings..." —Italica"Rohdie’s personal, idiosyncratic critical style is backed up by serious scholarly research, as the rich bibliog
