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Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is examined. This 2004 volume offers a fresh look at the production history of Rome Open City; some of its key images, and particularly its representation of the city and various types of women; its cinematic influences and affinities; the complexity of its political dimensions, including the film's vision of political struggle and the political uses to which the film was put; and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.

This new issue of the Hitchcock Annual contains studies of Hitchcock and theater, Hitchcock's atheology, and the filmmaker's influence on the stalker genre. It features analyses ofRear Window and Gus

Hitchcock Annual, volume 23, includes essays on Hitchcock's use of silence in his films, civilians at war in his World War II trilogy, melodrama and the Christian imagination in Under Capricorn, filmi

Hitchcock Annual Vol. 16 is the first issue edition to be published as a book. Featuring cutting edge scholarship on Hitchcock from a range of critical perspectives, these essays examine individual fi

Hitchcock Annual, volume 22, is scheduled to be published in December 2018. The planned contents include critical studies of several individual films by Hitchcock, a reprint of an early interview with

Film -- Biography--> Even twenty years after his death and nearly fifty or more years after his creative peak, Alfred Hitchcock (1899-1980) is still arguably the most instantly recognizable film direc

This new issue of the Hitchcock Annual contains studies of Hitchcock and theater, Hitchcock's atheology, and the filmmaker's influence on the stalker genre. It features analyses ofRear Window and Gus

Includes Hitchcock and Lang; Hitchcock biography; essays on The Phoenix Tapes, Under Capricorn, Rear Window, and Vertigo; and reviews.

Includes Hitchcock and wartime Britain; Hitchcock and carnival; Hitchcock and fascism; essays on Murder!, Downhill, and Topaz; and reviews.

Includes Hitchcock and company; Hitchcock on Griffith; essays on Downhill, Rear Window, Backyard Adventures, and Torn Curtain; and reviews.

Includes Hitchcockian narrative; Hitchcock and India dossier; essays on Alma Reville, Downhill, The Trouble with Harry, and Marnie, and reviews.

This second volume of Alfred Hitchcock’s reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edit

This second volume of Alfred Hitchcock’s reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edit

Gathered here for the first time are Alfred Hitchcock's reflections on his own life and work. In this ample selection of largely unknown and formerly inaccessible interviews and essays, Hitchcock prov

For more than fifteen years the Hitchcock Annual has offered groundbreaking and authoritative scholarship on Hitchcock, becoming the journal of record for Hitchcock studies. Wallflower Press is proud