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The specially-commissioned essays in this 1999 book discuss the ways in which performance is central to the practice and ideology of democracy in classical Athens. From theatre to law-court to gymnasium to symposium, performance is a basic part of Athenian society; how do these different areas interrelate and inform the politics and culture of the democratic city? Drama, rhetoric, philosophy, literature and art are all discussed by leading scholars in this interdisciplinary volume.

"If you do not know where you come from, you will always be a child." Cicero wasn't talking about being a child in the sense of enjoying life in a state of ignorant bliss. He was, rather, adamant tha

In Love, Sex & Tragedy Simon Goldhill lifts the veil on our inheritance of classical traditions and offers a witty, engrossing survey of the Greek and Roman roots of everything from our overwhelm

From the stages of Broadway and London to university campuses, Paris, and the bourgeoning theaters of Africa, Greek tragedy remains constantly in production. This global revival, in addition to deligh

Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II)It was destroyed nearly 2000 years ago, and yet the Temple of Jerusalem--cultural memory, symbol,

“We can begin with a kiss, though this will not turn out to be a love story, at least not a love story of anything like the usual kind.”So begins A Very Queer Family Indeed, which introduces us to the

This book is an advanced critical introduction to Greek tragedy. It is written specifically for the reader who does not know Greek and who may be unfamiliar with the context of the Athenian drama festival but who nevertheless wants to appreciate the plays in all their complexity. Simon Goldhill aims to combine the best contemporary scholarly criticism in classics with a wide knowledge of modern literary studies in other fields. He discusses the masterpieces of Athenian drama in the light of contemporary critical controversies in such a way as to enable the student or scholar not only to understand and appreciate the texts of the most commonly read plays, but also to evaluate and utilize the range of approaches to the problems of ancient drama.

Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on h

'The project of this book', writes the author in his Preface, 'is to investigate how poetry and the figure of the poet are represented, discussed, contested within the poetry of ancient Greece'. Dr Goldhill seeks to discover how ancient authors broached the questions: From what position does a poet speak? With what authority? With what debts to the past? With what involvement in the present? Through a series of interrelated essays on Homer, lyric poetry, Aristophanes, Theocritus and Apollonius of Rhodes, key aspects in the history of poetics are discussed: tale-telling and the representation of man as the user of language; memorial and praise; parody, comedy and carnival; irony, masks and desire; the legacy of the past and the idea of influence. Detailed readings of major works of Greek literature show how richly rewarding and revealing this approach can be. The author makes liberal use of critical writings from areas of study other than Classics and focuses on problems central to

The sexy, witty and often bizarre novels, poetry and dialogues of the first centuries of this era (works such as Longus' Daphnis and Chloe, Achilles Tatius' Leukippe and Cleitophon and Plutarch's Amatorius) were being composed at the same time as fundamental ideas about the body, gender and sexuality were being set in place with the rise of Christianity and the Church to dominate the pagan world. Modern writers on the history of sexuality have largely ignored this literature in favour of prose treatises, philosophy and Christian homilies. Simon Goldhill, writing with the same wit and verve as the ancient writers with whom he engages, sets out to put these texts back into the history of sexuality. The result is a dazzling celebration of sex and sexuality in the Greek literature of the first centuries CE.

This is the only general introduction in English to Aeschylus' Oresteia, one of the most important and most influential of all Greek dramas. It discusses the Greek drama festival and the social and political background of Greek tragedy, and offers a reading of this central trilogy. Simon Goldhill focuses on the play's themes of justice, sexual politics, violence, and the position of man within culture, and explores how Aeschylus constructs a myth for the city in which he lived. A final chapter considers the influence of the Oresteia on later theatre. Its clear structure and guide to further reading will make this an invaluable guide for students and teachers alike.

Does Greek matter? To whom and why? This interdisciplinary study focuses on moments when passionate conflicts about Greek and Greek-ness have erupted in both the modern and the ancient worlds. It looks at the Renaissance, when men were burned at the stake over biblical Greek, at violent Victorian rows over national culture and the schooling of a country, at the shocking performances of modernist opera - and it also examines the ancient world and its ideas of what it means to be Greek, especially in the first and second centuries CE. The book sheds light on how the ancient and modern worlds interrelate, and how fantasies and deals, struggles and conflicts have come together under the name of Greece. As a contribution to theatre studies, Renaissance and Victorian cultural history, and to the understanding of ancient writing, this book takes reception studies in an exciting alternative direction.

These especially commissioned essays open up a fascinating perspective on a crucial era of western culture. In the second century CE the Roman empire dominated the Mediterranean, but Greek culture maintained its huge prestige. At the same time, Christianity and Judaism were vying for followers against the lures of such an elite cultural life. This book looks at how writers in Greek from all areas of Empire society respond to their political position, to intellectual authority, to religions and social pressures. It explores the interesting cultural clashes from which Christianity emerged to dominate the Empire. It presents a series of brilliant insights into how the culture of Empire functions and offers a fascinating and alternative understanding of the long history of imperialism and cultural conflict.

Jerusalem is the site of some of the most famous religious monuments in the world, from the Dome of the Rock to the Church of the Holy Sepulchre to the Western Wall of the Temple. Since the nineteenth

Written by one of the best-known interpreters of classical literature today,Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on ho

How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Th