"This revelatory book distills thirty years of reflection on the sixteenth-century madrigal with an inimitable mixture of empathy, vivacity, conceptual boldness, and downright wisdom. Susan McClary re
With her usual combination of erudition, innovation, and spirited prose, Susan McClary reexamines the concept of musical convention in this fast-moving and refreshingly accessible book. Exploring the
Between the waning of the Renaissance and the beginning of the Enlightenment, many fundamental aspects of human behaviour - from expressions of gender to the experience of time - underwent radical cha
"In this book brimming with great music and great ideas, Susan McClary takes us into the sensual, even bawdy world of the seventeenth century. Its musicians developed ways to express, through tones, t
A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performanc
Bizet's Carmen is probably the best known opera of the standard repertoire, yet its very familiarity often prevents us from approaching it with the seriousness it deserves. This Handbook explores the
Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios.
This outstanding collection of Susan McClary's work exemplifies her contribution to a bridging of the gap between historical context, culture and musical practice. The selection includes essays which
Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings—interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who dis
Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings—interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who dis
This collection contains seven essays based on lectures presented at the International Orpheus Academy for Music & Theory on "Historical Theory, Performance, and Meaning in Baroque Music," held in
"Philip Brett changed the way we hear Britten's music, compelling us to listen anew for its sounding-out of political, sexual, and cultural meanings. Brett's richly detailed historical awareness, his
