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Accompanying a major exhibition at Tate Britain this is an accessible illustrated overview of British iconoclasm through the last 500 years.

A fresh and visually breathtaking new look at the art of the late Stuart period in Britain (1660-1714) From the Restoration of Charles II in 1660 to the death of Queen Anne in 1714, the late Stuart pe

With some of the finest collections in the world, London's museums and galleries alone are worthy of a trip to England's capital.

The Flemish Baroque painter Anthony van Dyck (1599-1641) first came to Britain in 1620 at the behest of King James. When James died in 1625, his successor, Charles I, recognized van Dyck's skill in ca

Watercolor is a universal medium, used around the world by amateurs and children, as well as by professional artists. British artists, such as J.M.W. Turner, are widely acknowledged to be among its gr

From Tudor times to the First World War, Now You See Us: Women Artists in Britain 1520–1920 will chart the journey of women to becoming professional artists. From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to be elected a member of the Royal Academy after a gap of more than 150 years, women have been a constant presence in the art world, conducting commercially successful careers and exhibiting in public exhibitions. Against society’s expectations of wives, mothers and daughters, limited to the private domestic sphere, they dared to pursue public careers, and to paint history pieces, battle scenes and the nude, usually regarded as the preserve of men.An examination of figures such as Mary Beale, Angelica Kauffman, Elizabeth, Lady Butler and many more will reveal careers very far from the stereotypical view of women as amateur watercolourists, pursuing art as a ladylike accomplishment. Instead, they are revealed as professional women who