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The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

How new is atheism? Although adherents and opponents alike today present it as an invention of the European Enlightenment, when the forces of science and secularism broadly challenged those of faith,

The contact zones between the Greco-Roman world and the Near East represent one of the most exciting and fast-moving areas of ancient-world studies. This new collection of essays, by world-renowned experts (and some new voices) in classical, Jewish, Egyptian, Mesopotamian and Persian literature, focuses specifically on prose fiction, or 'the ancient novel'. Twenty chapters either offer fresh readings - from an intercultural perspective - of familiar texts (such as the biblical Esther and Ecclesiastes, Xenophon of Ephesus' Ephesian Story and Dictys of Crete's Journal), or introduce material that may be new to many readers: from demotic Egyptian papyri through old Avestan hymns to a Turkic translation of the Life of Aesop. The volume also considers issues of methodology and the history of scholarship on the topic. A concluding section deals with the question of how narratives, patterns and motifs may have come to be transmitted between cultures.

Some of the world's earliest large-form fictional narratives--what would today be called novels-are found in ancient Greece. Dating back to the first century CE, these narratives contain many of the e

The contact zones between the Greco-Roman world and the Near East represent one of the most exciting and fast-moving areas of ancient-world studies. This new collection of essays, by world-renowned experts (and some new voices) in classical, Jewish, Egyptian, Mesopotamian and Persian literature, focuses specifically on prose fiction, or 'the ancient novel'. Twenty chapters either offer fresh readings - from an intercultural perspective - of familiar texts (such as the biblical Esther and Ecclesiastes, Xenophon of Ephesus' Ephesian Story and Dictys of Crete's Journal), or introduce material that may be new to many readers: from demotic Egyptian papyri through old Avestan hymns to a Turkic translation of the Life of Aesop. The volume also considers issues of methodology and the history of scholarship on the topic. A concluding section deals with the question of how narratives, patterns and motifs may have come to be transmitted between cultures.

Greek Literature and the Roman Empire uses up-to-date literary and cultural theory to explore the phenomenal rise of interest in literary writing in Greece under the Roman Empire. Greek identity canno

Greek Literature and the Roman Empire uses up-to-date literary and cultural theory to explore the phenomenal rise of interest in literary writing in Greece under the Roman Empire. Greek identity canno

This 2010 volume explores the proposition that the absorption of the Greek world into the Roman empire created a new emphasis upon local identities, much as globalisation in the modern world has done. Localism became the focal point for complex debates: in some cases, it was complementary with imperial objectives, but in others tension can be discerned. The volume as a whole seeks to add texture and nuance to the existing literature on Greek identity, which has tended in recent years to emphasise the umbrella category of the Greek, to the detriment of specific polis and regional identities. It also contributes to the growing literature on the Romanisation of provinces, by emphasising the dialogue between a region's self-identification as a distinct space and its self-awareness as a component of the centrally-governed empire.

The Greek Novels have moved from the margins to the centre-stage over recent decades, not just because of their literary qualities and thrilling narratives, but also because they offer revealing insights into the culture of the Greek world of the Roman Empire: sexual mores, the position of women and men, identity, religion. Achilles Tatius' Leucippe and Clitophon, the most influential of the novels in antiquity, remains the favourite of many. With its freewheeling plotline, its setting on the edge of the Greek world (in modern Lebanon), its ironic play with the reader's expectations and its sallies into obscenity, it represents a new, mature, sophisticated stage in the development of the novel as a genre. This is the first commentary in English on Achilles for over 50 years, a period that has seen great strides forward in the understanding of the literary, linguistic and textual interpretation of this brilliant text.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

The Greek Novels have moved from the margins to the centre-stage over recent decades, not just because of their literary qualities and thrilling narratives, but also because they offer revealing insights into the culture of the Greek world of the Roman Empire: sexual mores, the position of women and men, identity, religion. Achilles Tatius' Leucippe and Clitophon, the most influential of the novels in antiquity, remains the favourite of many. With its freewheeling plotline, its setting on the edge of the Greek world (in modern Lebanon), its ironic play with the reader's expectations and its sallies into obscenity, it represents a new, mature, sophisticated stage in the development of the novel as a genre. This is the first commentary in English on Achilles for over 50 years, a period that has seen great strides forward in the understanding of the literary, linguistic and textual interpretation of this brilliant text.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

How new is atheism?In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean to recover the stories of those who first refused the divinities. Long before the Enlightenment sowed t

How new is atheism?Long before the Enlightenment sowed seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world.

An impassioned and learned account of atheism's origins in antiquity.Long before the Enlightenment sowed the seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public deb

First published in 1850, New York by Gas-Light explores the seamy side of the newly emerging metropolis: "the festivities of prostitution, the orgies of pauperism, the haunts of theft and murder, the