三民網路書店 / 搜尋結果

德國新浪潮名導韋納荷索放下導演筒，以書寫刻畫藏身盧邦島叢林多年，不願相信二戰已然結束的日軍小野田寬郎的無數個日子。從與同袍死守到僅剩自己頑抗，藉小野田生前受荷索專訪的紀錄，半重現半想像地描繪出被自己禁錮於這場荒誕幻夢中的年輕軍人，叢林裡的29年長夜。Hold the island until the Imperial army's return. You are to defend its territory by guerrilla tactics, at all costs... There is only one rule:You are forbidden to die by your own hand.In the event of your capture by the enemy, you are to give them all the misleading information you can.In 1944, on Lubang Island in the Philippines, with Japanese troops about to withdraw, Lieutenant Hiroo Onoda was given orders by his superior officer. So began Onoda's long campaign, during which he became fluent in the hidden language of the jungle. Soon weeks turned into months, months into years, and years into decades - until eventually time itself seemed to melt away. All the while Onoda continued to fight his fictitious war, at once surreal and tragic, at first with other soldiers, and then, finally, alone, a character in a novel of his own making. The Twilight World im

The great filmmaker, Werner Herzog, in his first novel, tells the incredible true story of Hiroo Onoda, a Japanese soldier who continued to defend a small island in the Philippines for twenty-nine years after the end of World War Two. In 1997, Werner Herzog was in Tokyo to direct an opera. His hosts asked him, whom would you like to meet? He replied instantly: Hiroo Onoda. Onoda was a former solider famous for having quixotically defended an island in the Philippines for decades after World War II, unaware the fighting was over. Herzog and Onoda developed an instant rapport and would meet many times, talking for hours and together unraveling the story of Onoda's long war. At the end of 1944, on Lubang Island in the Philippines, with Japanese troops about to withdraw, Lieutenant Hiroo Onoda was given orders by his superior officer: Hold the island until the Imperial army's return. Defend the territory with guerilla tactics at all costs. There is only one rule: you are forbidden to die

Werner Herzog is one of our most revered contemporary filmmakers, a visionary director who ceaselessly tests the boundaries of art. Fitzcarraldo, his lavish 1982 film about a would-be rubber baron who

An invaluable set of career-length interviews with the German genius hailed by Francois Truffaut as “the most important film director alive”Most of what we’ve heard about Werner Herzog is untrue. The

One of the most revered filmmakers of our time, Werner Herzog wrote this diary during the making of Fitzcarraldo, the lavish 1982 film that tells the story of a would-be rubber baron who pulls a steam

When Alan Greenberg first showed up at Werner Herzog’s Munich home at age twenty-four, he was, according to the director, the first outsider to seek him and recognize his greatness. At the end of thei

For the first time in English, and in his signature prose poetry, the film scripts of four of Werner Herzog's early works"Herzog doesn't write traditional scripts," Film International remarked of the