ElementalAncient Greek mathematics meet modernist designNearly a century before Mondrian made geometrical red, yellow, and blue lines famous, 19th-century mathematician Oliver Byrne employed the color
Contemporary architectural theory emphasizes the importance of 'tectonics', the term used to articulate the relationship between construction, structure and architectural expression. Despite the term's currency, little consideration has been given to its origins or historical significance. In this 2002 study, Werner Oechslin examines the attempts by early modern theoreticians of architecture to grapple with the relationship between appearance and essence, which is crucial to the discourse of tectonics. Referring to the writings of Joseph Lux, Karl Bötticher, and Adolf Loos, Oechslin follows this development from theories of a classical architecture without columnar orders to a Modern architecture upholding the 'truth'of its own architectural expression. Oechslin locates the culmination of this discourse in the work of Adolf Loos and in Le Corbusier's frequent references to Ancient Greece as the precedent of Modern architecture's honesty. This volume includes an anthology of primary
When Euclid meets Mondrian Red, yellow, blue—and of course black—are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William
Good architecture results from a targeted lighting design. In order to work with light, one has to find out all about its character. The various contributions to this publication assist this process b
