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The first biography of the most private of the Mitford sistersJournalist Diana Alexander, who was Pamela Mitford's friend for many years, offers a captivating biography of "Gentle Pamela," as her life

Pamela Jackson, née Mitford, is perhaps the least well known of the illustrious Mitford sisters, yet her story is just as captivating, and more revealing. Despite shunning the bright city lights that

Illustrated with maps and photographs, The Encyclopedia of Latin American Politics covers the current and past political development of Puerto Rico and the 20 independent republics of Central and Sout

The Essential Bartending Crash CourseDo you know how to set up a full bar for that party you're having? How much vermouth to use when your first guest requests a "dry martini on the rocks?" How to me

The essays in this volume address theoretical and methodological issues of Balkan or Southeast European regional studies—questions of scholarly concepts, definitions, and approaches but also the extra

Revised and expanded, this reference outlines best practices for the investigation, diagnosis, and treatment of child abuse. Physicians, nurses, and law enforcement personnel working in the US prov

Country image and related constructs, such as country reputation, brand, and identity, have been subjects of debate in fields such as marketing, psychology, sociology, communication, and political sci

Country image and related constructs, such as country reputation, brand, and identity, have been subjects of debate in fields such as marketing, psychology, sociology, communication, and political sci

A long-overdue reexamination of beloved American artist Grandma Moses, restoring her rightful place within the canon of mid-century American Art. One of the best-known artists of her time, and a true American legend, Anna Mary Robertson "Grandma" Moses (1860–1961) was often marginalized as a latter-day "folk" painter or a phenomenon of popular media. Accompanying a traveling exhibition, this new book looks closely at the paintings themselves and the artist’s compelling biography to reassert her role in the development of a culture of modernist art at mid-century. Presenting fresh research, several scholars examine Moses’s name, public persona, painted world, and wildly popular place in American pop culture; address the myth of the self-taught artist; and contextualize her work alongside such contemporaries as Horace Pippin, Elie Nadelman, Yasuo Kuniyoshi, and Morris Hirshfield.