Husband Kevin Rockett (film studies, Trinity College, Dublin) and wife Emer (a lecturer and scholar of visual culture) have collaborated on previous projects pertaining to the history of film in Irela
Rockett (film studies, Trinity College Dublin) provides a thorough study, organizing the subject as follows: film distribution and exhibition, 1909-29; economic protectionism and foreign oligopoly, 19
This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies f
