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Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II)It was destroyed nearly 2000 years ago, and yet the Temple of Jerusalem--cultural memory, symbol,

From the time of the Roman Empire onwards, fifth- and fourth-century Greece have been held to be the period and place in which civilization as the West knows it developed. Classical scholars have sought to justify these claims in detail by describing developments in fields such as democratic politics, art, rationality, historiography, literature, philosophy, medicine and music, in which classical Greece has been held to have made a revolutionary contribution. In this volume a distinguished cast of contributors offers a fresh consideration of these claims, asking both whether they are well based and what is at stake for their proposers and for us in making them. They look both at modern scholarly argument and its basis and at the claims made by the scholars of the Second Sophistic. The volume will be of interest not only to classical scholars but to all who are interested in the history of scholarship.

Does Greek matter? To whom and why? This interdisciplinary study focuses on moments when passionate conflicts about Greek and Greek-ness have erupted in both the modern and the ancient worlds. It looks at the Renaissance, when men were burned at the stake over biblical Greek, at violent Victorian rows over national culture and the schooling of a country, at the shocking performances of modernist opera - and it also examines the ancient world and its ideas of what it means to be Greek, especially in the first and second centuries CE. The book sheds light on how the ancient and modern worlds interrelate, and how fantasies and deals, struggles and conflicts have come together under the name of Greece. As a contribution to theatre studies, Renaissance and Victorian cultural history, and to the understanding of ancient writing, this book takes reception studies in an exciting alternative direction.

This book is an advanced critical introduction to Greek tragedy. It is written specifically for the reader who does not know Greek and who may be unfamiliar with the context of the Athenian drama festival but who nevertheless wants to appreciate the plays in all their complexity. Simon Goldhill aims to combine the best contemporary scholarly criticism in classics with a wide knowledge of modern literary studies in other fields. He discusses the masterpieces of Athenian drama in the light of contemporary critical controversies in such a way as to enable the student or scholar not only to understand and appreciate the texts of the most commonly read plays, but also to evaluate and utilize the range of approaches to the problems of ancient drama.

Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on h

'The project of this book', writes the author in his Preface, 'is to investigate how poetry and the figure of the poet are represented, discussed, contested within the poetry of ancient Greece'. Dr Goldhill seeks to discover how ancient authors broached the questions: From what position does a poet speak? With what authority? With what debts to the past? With what involvement in the present? Through a series of interrelated essays on Homer, lyric poetry, Aristophanes, Theocritus and Apollonius of Rhodes, key aspects in the history of poetics are discussed: tale-telling and the representation of man as the user of language; memorial and praise; parody, comedy and carnival; irony, masks and desire; the legacy of the past and the idea of influence. Detailed readings of major works of Greek literature show how richly rewarding and revealing this approach can be. The author makes liberal use of critical writings from areas of study other than Classics and focuses on problems central to

The sexy, witty and often bizarre novels, poetry and dialogues of the first centuries of this era (works such as Longus' Daphnis and Chloe, Achilles Tatius' Leukippe and Cleitophon and Plutarch's Amatorius) were being composed at the same time as fundamental ideas about the body, gender and sexuality were being set in place with the rise of Christianity and the Church to dominate the pagan world. Modern writers on the history of sexuality have largely ignored this literature in favour of prose treatises, philosophy and Christian homilies. Simon Goldhill, writing with the same wit and verve as the ancient writers with whom he engages, sets out to put these texts back into the history of sexuality. The result is a dazzling celebration of sex and sexuality in the Greek literature of the first centuries CE.

This is the only general introduction in English to Aeschylus' Oresteia, one of the most important and most influential of all Greek dramas. It discusses the Greek drama festival and the social and political background of Greek tragedy, and offers a reading of this central trilogy. Simon Goldhill focuses on the play's themes of justice, sexual politics, violence, and the position of man within culture, and explores how Aeschylus constructs a myth for the city in which he lived. A final chapter considers the influence of the Oresteia on later theatre. Its clear structure and guide to further reading will make this an invaluable guide for students and teachers alike.

Does Greek matter? To whom and why? This interdisciplinary study focuses on moments when passionate conflicts about Greek and Greek-ness have erupted in both the modern and the ancient worlds. It looks at the Renaissance, when men were burned at the stake over biblical Greek, at violent Victorian rows over national culture and the schooling of a country, at the shocking performances of modernist opera - and it also examines the ancient world and its ideas of what it means to be Greek, especially in the first and second centuries CE. The book sheds light on how the ancient and modern worlds interrelate, and how fantasies and deals, struggles and conflicts have come together under the name of Greece. As a contribution to theatre studies, Renaissance and Victorian cultural history, and to the understanding of ancient writing, this book takes reception studies in an exciting alternative direction.

Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II)It was destroyed nearly 2000 years ago, and yet the Temple of Jerusalem--cultural memory, symbol,

These especially commissioned essays open up a fascinating perspective on a crucial era of western culture. In the second century CE the Roman empire dominated the Mediterranean, but Greek culture maintained its huge prestige. At the same time, Christianity and Judaism were vying for followers against the lures of such an elite cultural life. This book looks at how writers in Greek from all areas of Empire society respond to their political position, to intellectual authority, to religions and social pressures. It explores the interesting cultural clashes from which Christianity emerged to dominate the Empire. It presents a series of brilliant insights into how the culture of Empire functions and offers a fascinating and alternative understanding of the long history of imperialism and cultural conflict.

Jerusalem is the site of some of the most famous religious monuments in the world, from the Dome of the Rock to the Church of the Holy Sepulchre to the Western Wall of the Temple. Since the nineteenth

This book contains thirteen essays by senior international experts on Greek tragedy looking at Sophocles' dramas. They reassess their crucial role in the creation of the tragic repertoire, in the idea of the tragic canon in antiquity, and in the making and infinite re-creation of the tragic tradition in the Renaissance and beyond. The introduction looks at the paradigm shifts during the twentieth century in the theory and practice of Greek theatre, in order to gain a perspective on the current state of play in Sophoclean studies. The following three sections explore respectively the way that Sophocles' tragedies provoked and educated their original Athenian democratic audience, the language, structure and lasting impact of his Oedipus plays, and the centrality of his oeuvre in the development of the tragic tradition in Aeschylus, Euripides, ancient philosophical theory, fourth-century tragedy and Shakespeare.

The Victorian era was the high point of literary tourism. Writers such as Charles Dickens, George Eliot, and Sir Walter Scott became celebrities, and readers trekked far and wide for a glimpse of the

A visionary and completely original investigation that will change the way we think about health care: how and why it is failing, why expanding insurance coverage will only make things worse, and how

This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a literary study, although it often discusses the wider themes of the narrative. It is a close reading of the text concentrating on the developing meanings of words within the structuring of the play. In particular, Simon Goldhill focuses on the text's interests in language and its control, in sexuality and sexual difference, and in the progression and description of events. Dr Goldhill links a sound philological knowledge with material drawn widely from modern literary theory and anthropological studies. The result is a challenging and provocative book, which offers for the serious student of Greek drama an exciting range of insights into one of the most important texts of the ancient world.