"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance"... this intelligent, eminently readable volume puts women's filmmakin
Dorothy Arzner was the exception in Hollywood film history—the one woman who succeeded as a director, in a career that spanned three decades. In Part One, Dorothy Arzner's film career—her work as a fi
Le Corbeau stands as the premier film about the German occupation of France. Judith Mayne's book analyzes the film's brilliant visual style and dark tone, and provides a guide to its many possible int
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinem
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinem
Originally published in 1950, this account of life among female Free French soldiers in a London barracks during World War II sold four million copies in the United States alone and many more millions
?Don’t let’s ask for the moon! We have the stars!” The film that concludes with Bette Davis’s famous words, reaffirmed Davis’s own stardom and changed the way Americans smoked cigarettes. But few cont
