If seeing ever really was a reason for believing, it surely was not in New York around 1900. The rift between appearances and truth was widening: deceptive images flourished in advertising and mass me
If seeing ever really was a reason for believing, it surely was not in New York around 1900. The rift between appearances and truth was widening: deceptive images flourished in advertising and mass me
In the wake of World War II, the paintings of Jackson Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and other New York School artists participated in a culture-wide initiative to reimagine
