This book explores the whole range of the output of an exceptionally versatile and innovative poet, from the Epodes to the literary-critical Epistles. Distinguished scholars of diverse background and interests introduce readers to a variety of critical approaches to Horace and to Latin poetry. Close attention is paid throughout to the actual text of Horace, with many of the chapters focusing on reading a single poem. These close readings are then situated in a number of different political, philosophical and historical contexts. The book sheds light not only on Horace but on the general problems confronting Latinists in the study of Augustan poetry, and it will be of value to a wide range of upper-level Latin students and scholars.
The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to pla
The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to pla
Originally published in 1974, these studies of Latin poetry were commissioned with two main purposes in mind: to encourage a fresh reading of several Latin poets from the time of Catullus to Horace, and to illustrate various, critical approaches to literature. As the literary study of Latin developed in schools and universities there was a proliferation of critical techniques, which were greeted with bewilderment by some, with hostility by others. This book does not attempt to adjudicate finally between them. There can be no one 'prescription' for interpreting poetry; but this does not mean that there are no valid standards of judgement. Criticism must be flexible, imaginative and sympathetic, but it must also be rigourous. To counteract feelings of disorientation the editors tried to provide samples of the best critical work in progress at the time of publication.
Come join the Bible Detectives, Harry, Jess and Click the mouse as they negotiate the stories and pages of the Bible.These quizzes are designed for group use in kids clubs, Sunday schools and families
