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《到芬蘭車站:歷史寫作及行動研究》講述了意大利邊城那不勒斯，窮學者維柯，正伏案撰寫一部引發史學新思維的巨著；革命之都巴黎，密謀顛覆拿破侖皇朝的革命家巴貝夫，慷慨陳詞臨刑前的自白；倫敦，流亡者的新故鄉，革命傳單與當票陪伴著馬克思，走完人生最後一程；聖彼得堡紅旗揮舞，列寧與托洛茨基口號高亢，宣告羅曼諾夫王朝的覆亡……跨越兩百年的時空場景，《到芬蘭車站:歷史寫作及行動研究》在威爾遜的筆下一幕幕鋪陳，鉅細

One of the great works of modern historical writing, the classic account of the ideas, people, and politics that led to the Bolshevik RevolutionEdmund Wilson’s To the Finland Station is intellectual h

Edmund Wilson's magnum opus, To the Finland Station, is a stirring account of revolutionary politics, people, and ideas from the French Revolution through the Paris Commune to the Bolshevik seizure of

Covering German-language theatre from the Middle Ages to the present day, this study demonstrates how and why theatre became so important in German-speaking countries. Written by leading international scholars of German theatre, chapters cover all aspects of theatrical performance, including acting, directing, play-writing, scenic design and theatre architecture. The book argues that theatre is more central to the artistic life of German-speaking countries than anywhere else in the world. Relating German-language theatre to its social and intellectual context, the History demonstrates how theatre has often been used as a political tool. It challenges the idea that German theatre was undeveloped in contrast to other European countries in the seventeenth and early eighteenth centuries, provides a thematic survey of the crucial period of growth in the late eighteenth and nineteenth centuries, and discusses modern and contemporary German theatre by focusing in turn on the directors, playwr

Covering German-language theatre from the Middle Ages to the present day, this study demonstrates how and why theatre became so important in German-speaking countries. Written by leading international scholars of German theatre, chapters cover all aspects of theatrical performance, including acting, directing, play-writing, scenic design and theatre architecture. The book argues that theatre is more central to the artistic life of German-speaking countries than anywhere else in the world. Relating German-language theatre to its social and intellectual context, the History demonstrates how theatre has often been used as a political tool. It challenges the idea that German theatre was undeveloped in contrast to other European countries in the seventeenth and early eighteenth centuries, provides a thematic survey of the crucial period of growth in the late eighteenth and nineteenth centuries, and discusses modern and contemporary German theatre by focusing in turn on the directors, playwr