Any episode of a crime or mystery series involves some or all of the following: the perpetration of a crime; its investigation; the analytical process which involves the determination of the villain; the arrest and trial of the culprit; and the handing out of the appropriate punishment. Such series involving the exploits of a wide variety of courageous heroes and heroines were very popular during the 1950s, and they featured a host of actors and actresses, including famous television detectives (e.g., Raymond Burr), those famous in other genres (e.g., Boris Karloff, Charles Bronson), and over 250 other players with recurring roles. This reference work lists every player who had a regular role in a crime or mystery series during the early era of television. All covered series offered live or filmed episodes of a crime or mystery nature, and all were shown on American television. All series had either regular stars or a recognizable host. Entries cover the player's real name, family info
Women first appeared on the legitimate stage in England following the Restoration in 1660, heralding a major change in British theater. The First Actresses: From Nell Gwyn to Sarah Siddons explores th
To be completed in 12 volumes, this monumental work here begins publica-tion with the first two volumes?Abaco to Bertie and Bertin to Byzard. When completed, it is expected that the bio-graphical dict
They all met again at the Drama School Reunion: the Hollywood celebrity, the out-of-work soap star, the understudy, the Shakespearian hero, the plodding small part player. Thirty-six years ago the Aca
Finding good, interesting audition pieces is a demanding and difficult process for actresses. This revised edition of Actresses' Audition Speeches contains over 40 speeches and includes a wide selecti
Gather any group of actresses, from students to stars, and someone will inevitably ask, "Where are all the great roles for women?" The roles are right here, in this unprecedented and magnificently di
The image of the actress as prostitute has haunted the theatrical profession since women first went on the stage. This book explores the history of this connection both in the cultural imagination and in real life. It shows, through case studies of women working in Britain and the United States between the seventeenth and twentieth centuries, that some women have drawn on the dual tradition of 'whore' as radical and victim to carve out a space for female sexual agency. Female performers from Elizabeth Boutell and Charlotte Charke to Mae West redefined gender identity and appropriate female sexuality. Pullen integrates substantial archival research and interviews with working prostitutes with a consideration of feminist and cultural perspectives on the myth and reality of the actress/whore. This highly original study offers many insights to theatre historians and scholars of cultural, social and gender studies.
The image of the actress as prostitute has haunted the theatrical profession since women first went on the stage. This book explores the history of this connection both in the cultural imagination and in real life. It shows, through case studies of women working in Britain and the United States between the seventeenth and twentieth centuries, that some women have drawn on the dual tradition of 'whore' as radical and victim to carve out a space for female sexual agency. Female performers from Elizabeth Boutell and Charlotte Charke to Mae West redefined gender identity and appropriate female sexuality. Pullen integrates substantial archival research and interviews with working prostitutes with a consideration of feminist and cultural perspectives on the myth and reality of the actress/whore. This highly original study offers many insights to theatre historians and scholars of cultural, social and gender studies.
Gather any group of actresses, from students to stars, and someone will inevitably ask, "Where are all the great roles for women?" The roles are right here, in this magnificently diverse collection of
