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【本書特色】★紐約時報暢銷書排行榜冠軍，韓國YES24暢銷書，Amazon700則五星好評，讀者口碑熱烈擴散中★歐普拉（知名主持人）安德魯．所羅門（《背離親緣》作者）李珉貞（《柏青哥》作者、《紐約時報》專欄作家）宋怡慧（作家、丹鳳高中圖書館主任）吳娮翎（心靈美學作家）許瑞云（醫師、心能量管理中心執行長）角子（作家）周志建（資深心理師、故事療癒作家）彭樹君（作家）蔡佳妤（MÖTHEA 墨陽文創科技董事長）《華盛頓郵報》《出版商周刊》《歐普拉日報》――國內外跨界動容推薦！【內容簡介】沒有人能不受傷就活到今天，「失去」，正是回顧珍貴事物的良機死亡如宵小，會在夜裡降臨。不像死亡那麼破壞秩序的事也是。這場病便是趁著我呼呼大睡之際，前來竊取我的視覺，起碼偷走了一大部分。我鑽進被窩時看見的世界是一個樣子，一覺醒來，卻成了另一個樣子……法蘭克．布魯尼是《紐約時報》知名專欄作家與資深記者，擁有令人稱羨的工作、不錯的社經地位，以及和諧的感情生活。不料一夕之間卻從人生巔峰的五十歲，墜向患難接踵而至的生命幽谷……腦中風帶來的視力嚴重受損，逐步帶他走向雙眼失明的命運。在殘存的餘光中，挑戰接踵而至：愛人移情別戀、父親罹患阿茲海默症……他在朦朧黑暗中掙扎踽行，愕然發現生命竟可如此脆弱，也能如此強韌，他用一枝巧筆、熟稔的敘事能力，寫下深沉而充滿省思的經歷，帶領讀者走過這段將失去化成喜悅的旅程。從此我們才知道，經歷黑暗後的光，會更加奪目；失去後的體悟，能使人生更美好。

This 2002 volume brings together major works by German thinkers, writing just prior to and after Kant, who were enormously influential in this crucial period of aesthetics. These texts include the first translation into English of Schiller's Kallias Letters and Moritz's On the Artistic Imitation of the Beautiful, together with translations of some of Hölderlin's most important theoretical writings and works by Hamann, Lessing, Novalis and Schlegel. In a philosophical introduction J. M. Bernstein traces the development of aesthetics from its still rationalist and mimetic construction in Lessing, through the optimistic construal of art and/or beauty as the appearance of human freedom in the work of Schiller, to Hölderlin's darker vision of art as the memory of a lost unity, and the variations of that theme - of an impossible striving after the lost ideal - which are found in the work of Schlegel and Novalis.

Wow, there she stood, Vena Thorn, the one that got away. Tyler Kinson never thought that he would ever lay eyes on her again. This vision was older but more beautiful and angelic then she was eight ye

This 2002 volume brings together major works by German thinkers, writing just prior to and after Kant, who were enormously influential in this crucial period of aesthetics. These texts include the first translation into English of Schiller's Kallias Letters and Moritz's On the Artistic Imitation of the Beautiful, together with translations of some of Hölderlin's most important theoretical writings and works by Hamann, Lessing, Novalis and Schlegel. In a philosophical introduction J. M. Bernstein traces the development of aesthetics from its still rationalist and mimetic construction in Lessing, through the optimistic construal of art and/or beauty as the appearance of human freedom in the work of Schiller, to Hölderlin's darker vision of art as the memory of a lost unity, and the variations of that theme - of an impossible striving after the lost ideal - which are found in the work of Schlegel and Novalis.