This ground-breaking volume explores a series of inter-related key themes in Saharan archaeology and history. Migration and identity formation can both be approached from the perspective of funerary archaeology, using the combined evidence of burial structures, specific rites and funerary material culture, and integrated methods of skeletal analysis including morphometrics, palaeopathology and isotopes. Burial traditions from various parts of the Sahara are compared and contrasted with those of the Nile Valley, the Maghreb and West Africa. Several chapters deal with the related evidence of human migration derived from linguistic study. The volume presents the state of the field of funerary archaeology in the Sahara and its neighbouring regions and sets the agenda for future research on mobility, migration and identity. It will be a seminal reference point for Mediterranean and African archaeologists, historians and anthropologists as well as archaeologists interested in burial and migr
During the summer of 1800, slaves in and around Richmond conspired to overthrow their masters and abolish slavery. This book uses Gabriel's Conspiracy, and the evidence produced during the repression of the revolt, to expose the processes through which Virginians of African descent built an oppositional culture. Sidbury portrays the rich cultures of eighteenth-century black Virginians, and the multiple, and sometimes conflicting, senses of identity that emerged among enslaved and free people living in and around the rapidly growing state capital. The book also examines the conspirators' vision of themselves as God's chosen people, and the complicated African and European roots of their culture. In so doing, it offers an alternative interpretation of the meaning of the Virginia that was home to so many of the Founding Fathers. This narrative focuses on the history and perspectives of black and enslaved people, in order to develop 'Gabriel's Virginia' as a counterpoint to more common dis
During the summer of 1800, slaves in and around Richmond conspired to overthrow their masters and abolish slavery. This book uses Gabriel's Conspiracy, and the evidence produced during the repression of the revolt, to expose the processes through which Virginians of African descent built an oppositional culture. Sidbury portrays the rich cultures of eighteenth-century black Virginians, and the multiple, and sometimes conflicting, senses of identity that emerged among enslaved and free people living in and around the rapidly growing state capital. The book also examines the conspirators' vision of themselves as God's chosen people, and the complicated African and European roots of their culture. In so doing, it offers an alternative interpretation of the meaning of the Virginia that was home to so many of the Founding Fathers. This narrative focuses on the history and perspectives of black and enslaved people, in order to develop 'Gabriel's Virginia' as a counterpoint to more common dis
In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife soug
In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife soug
Paula Marie Seniors’s Beyond Lift Every Voice and Sing is an engaging and well-researched book that explores the realities of African American life and history as refracted through the musical theater
Paula Marie Seniors’s Beyond Lift Every Voice and Sing is an engaging and well-researched book that explores the realities of African American life and history as refracted through the musical t
For Land and Liberty is a comparative study of the history and contemporary circumstances concerning Brazil's quilombos (African-descent rural communities) and their inhabitants, the quilombolas. The book examines the disposition of quilombola claims to land as a site of contestation over citizenship and its meanings for Afro-descendants, as well as their connections to the broader fight against racism. Contrary to the narrative that quilombola identity is a recent invention, constructed for the purpose of qualifying for opportunities made possible by the 1988 law, Bowen argues that quilombola claims are historically and locally rooted. She examines the ways in which state actors have colluded with large landholders and modernization schemes to appropriate quilombo land, and further argues that, even when granted land titles, quilombolas face challenges issuing from systemic racism. By analyzing the quilombo movement and local initiatives, this book offers fresh perspectives on the re
Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address
Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address
In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican histor
In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican histor
