The extraordinary story of the intermingled civilizations of ancient Greece and Rome, spanning more than six millennia from the late Bronze Age to the seventh century The magnificent civilization crea
The extraordinary story of the intermingled civilizations of ancient Greece and Rome, spanning more than six millennia from the late Bronze Age to the seventh century The magnificent civilization crea
Filmgoers have long embraced the storied performances, elaborate sets, and epic productions behind film recreations of ancient Rome. Using this fascination with the trappings of realism that fuels our
The stunning masterpieces of Ancient Greece and Rome are fundamental to the story of art in Western culture and to the origins of art history. The expanding Greek world of Alexander the Great had an e
A magisterial account of how a tiny city-state in ancient Greece became history’s most influential civilization, from the author of the bestselling books on Cicero, Augustus, and ancient Rome Filled
An ecclesiastical and theological history of beards, 3,000 BC to the present.'As informative as it is entertaining - read it, you won't regret it' Paula GooderBeards have had cultural and religious significance for thousands of years. A fascinating story is to be told of the religious significance of beards from the ancient civilisations to today. This book will survey beard theology from ancient Egypt, Greece, Rome and Mesopotamia, to the Jews of Jesus's day and through to the early Church fathers who strongly promoted the beard, the Latin church which outlawed it leading up to and after the Great Schism of 1054.We will pursue the story of the protestant reformers and leaders of the evangelical revival of the 19th century all had plenty to say about the beard. This largely untold and intriguing story of the religious significance of beards and will containa series of entertaining true historical stories, such as the cardinal who lost the papacy due to his beard, the female pharaoh who
In The Mirror of the Gods, Malcolm Bull tells the story of how the great artists of Western Europe - from Botticelli and Leonardo to Titian and Rubens - revived the gods of ancient Greece and Rome. E
By the sixteenth century, Florence was famous across Europe for its achievements in the arts, letters, and humanist learning. Its intellectual life flourished anew at midcentury with Duke Cosimo and the Accademia Fiorentina. In this study, Ann Moyer provides an overview of Florentine intellectual life and community in the late Renaissance. She shows how studies of language helped Florentines develop their own story as a people distinct from ancient Greece or Rome, trace the rise of the city's medieval government, and explore how the city evolved into a hospitable environment for letters and the arts. Studies of Florentine art gave rise to art history, while those devoted to Florentine traditions and customs inspired broader questions about how to think about cultural change. Demonstrating how the intellectual activity around language, history, and art related and supported each other, Moyer's book documents the origins of the modern narrative of the Renaissance itself.
The starting-point for everything we understand about philosophy, science, literature and art, the world of ancient Greece and Rome makes an extraordinary story in its own right. This book brings Gree
This book is concerned with the central act of Christian worship, call it Eucharist, Holy Communion, Liturgy, Last Supper or Mass. First it investigates in some detail the New Testament accounts of its institution at the Last Supper, dealing with the problems of scholarship involved. Professor Kilpatrick argues that Mark XIV and I Corinthians XI are basic, Mark being more archaic. Secondly, the book examines three themes of the Eucharist which are foreign to Western thinking of today: sacrifice, the sacred meal and the pattern of charter story and ritual. This pattern is common ground to anthropologists and biblical scholars. It is argued that the observance is not a Passover but a sacrifice in Biblical terms and certain features which we find in Biblical sacrifice have parallels in the religion of ancient Rome and Greece. The bearing of these conclusions on present-day liturgical revision is then discussed.
The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.
The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.
