莎士比亞，為全世界所推崇的偉大作家，在他卓越的創作中所蘊含的人生智慧，啟發著世世代代的讀者。本書特別精選莎翁最著名的劇本，將之改寫為淺顯易懂的短篇故事，帶領你一探莎士比亞的文學殿堂。 本書收錄十六篇故事，內文附有重點字彙，加注英文註釋及IPA音標；精選莎翁原著的佳言錄；附中譯文；隨書並錄有MP3，完整收錄故事朗讀。 1 Hamlet 哈姆雷特 2 A Midsummer Night’s Dream 仲夏夜之夢 3 King Lear 李爾王 4 The Taming of The Shrew 馴悍記 5 The Tempest 暴風雨 6 Cymbeline 辛白林 7 As You Like It 皆大歡喜 8 The Comedy of Errors 連環錯 9 Romeo and Juliet 羅密歐與茱麗葉 10 The Merchant of Venice 威尼斯商人 11 Macbeth 馬克白 12 Twelfth Night 第十二夜 13 Othello 奧賽羅 14 The Winter's Tale 冬天的故事 15 Much Ado About Nothing 無事生非 16 Measure for Measure 一報還一報 ------------------------------------------------------ 搭配寂天雲APP聆聽訓練聽力最有效！ 掃描書封QR Code下載「寂天雲」App，即能下載全書音檔，無論何時何地都能輕鬆聽取專業母語老師的正確道地示範發音，訓練您的聽力。 功能特色： ● 透過本App，可下載每本書的音檔，即點即播。 ● App 內建掃描器，掃描書本內頁QR Code ，可直接對應到書本內容，播放音檔。 ● 可根據自我學習狀況，設定循環播放、單曲重複播放、前進後退10秒播放。 ● 有多段語速可供選擇播放，可依學習情況調整快慢語速，逐步強化聽力訓練。 ● 可設定星號書籤，標示重點複習音檔，重複播放。 ● 提供背景播放，讓您無論開車、坐車通勤、跑步或行進間，訓練聽力不間斷。 ● 可設定播放時間，讓您睡前也能預設關閉時間，把握淺眠期的黃金學習時段。 透過「寂天雲」App，書本與聲音的連結更自由、更多元，讓您隨時隨地都能輕鬆學習，更方便！更有效率！
This guide provides a critical survey of the major debates and issues surrounding the late plays, from the earliest published accounts to the present day. Nicholas Potter offers a clear guiding narrat
Shakespeare's late plays are a 'mixed bag' with a common theme: from the fiendishly jealous Leontes to the saintly Pericles; from the ineffectual Cymbeline to the omnipotent Propspero; from the 'sprit
These three plays, performed by some of the best-known theatrical actors of the 20th Century, are the perfect way to commemorate England's greatest dramatist. In The Winter's Tale, one man'
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and in a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
First published in 1860, this is the third and final volume of Howard Staunton's collection of Shakespeare's plays, with black-and-white illustrations by the prolific artist John Gilbert. Staunton's annotated edition, based on the folio and quarto editions collated with the texts of later editors from Rowe to Dyce, combines common sense with meticulous research, making it a definitive resource in its day. Each play is accompanied by an introduction giving details of its original production and publication and the sources of its plot, critical commentary, and footnotes explaining terms and expressions. This volume contains The Tempest, King Lear, Coriolanus, Winter's Tale, Troilus and Cressida, Hamlet, Julius Caesar, Macbeth, Antony and Cleopatra, Titus Andronicus and Othello. The volume concludes with the Sonnets and Poems and a glossarial index.
Exploring the rich range of meanings that Shakespeare finds in the natural world, this book fuses ecocritical approaches to Renaissance literature with recent thinking about the significance of religion in Shakespeare's plays. MacFaul offers a clear introduction to some of the key problems in Renaissance natural philosophy and their relationship to Reformation theology, with individual chapters focusing on the role of animals in Shakespeare's universe, the representation of rural life, and the way in which humans' consumption of natural materials transforms their destinies. These discussions enable powerful new readings of Shakespeare's plays, including A Midsummer Night's Dream, As You Like It, King Lear, Macbeth, The Tempest, The Winter's Tale, and the history plays. Proposing that Shakespeare's representation of the relationship between man and nature anticipated that of the Romantics, this volume will interest scholars of Shakespeare studies, Renaissance drama and literature, and e
Exploring the rich range of meanings that Shakespeare finds in the natural world, this book fuses ecocritical approaches to Renaissance literature with recent thinking about the significance of religion in Shakespeare's plays. MacFaul offers a clear introduction to some of the key problems in Renaissance natural philosophy and their relationship to Reformation theology, with individual chapters focusing on the role of animals in Shakespeare's universe, the representation of rural life, and the way in which humans' consumption of natural materials transforms their destinies. These discussions enable powerful new readings of Shakespeare's plays, including A Midsummer Night's Dream, As You Like It, King Lear, Macbeth, The Tempest, The Winter's Tale, and the history plays. Proposing that Shakespeare's representation of the relationship between man and nature anticipated that of the Romantics, this volume will interest scholars of Shakespeare studies, Renaissance drama and literature, and e
Analysing Shakespeare's historical background and craft, Spencer's 1943 study investigates the intellectual debates of Shakespeare's age, and the effect these had on the drama of the time. The book outlines the key conflict present in the sixteenth century – the optimistic ideal of man's place in the universe, as presented by the theorists of the time, set against the indisputable and ever-present fact of original sin. This conflict about the nature of man, argues Spencer, is perhaps the deepest underlying cause for the emergence of great Renaissance drama. With detailed reference to Shakespeare's great tragedies, the book demonstrates how Shakespeare presents the fact of evil masked by the appearance of good. Shakespeare's last plays, especially The Winter's Tale and The Tempest, are also analysed in detail to show how they embody a different view from the tragedies, and the discussion is related to the larger perspective of general human experience.
Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean context, and explore the rich afterlives, on stage, in print and other media of The Winter's Tale, Cymbeline, The Tempest, Pericles, The Two Noble Kinsmen and Henry VIII. The volume opens with a historical timeline that places the plays in the contexts of contemporary political events, theatrical events, other cultural milestones, Shakespeare's life and that of his playing company, the King's Men.
Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean context, and explore the rich afterlives, on stage, in print and other media of The Winter's Tale, Cymbeline, The Tempest, Pericles, The Two Noble Kinsmen and Henry VIII. The volume opens with a historical timeline that places the plays in the contexts of contemporary political events, theatrical events, other cultural milestones, Shakespeare's life and that of his playing company, the King's Men.
In Shakespeare's late, post-tragic plays Pericles, Cymbeline, The Winter's Tale, and The Tempest, Beckwith (English and theater studies, Duke U.) explores the grammar of forgiveness, its historical co
Ovid's great poem, Metamorphoses, was a source of life long fascination and inspiration for Shakespeare. He drew on its great myths throughout his career: in early works like Venus and Adonis and Titus Andronicus, works of the middle period like A Midsummer Night's Dream and Twelfth Night, and late plays such as The Winter's Tale and The Tempest. This book provides a comprehensive examination of his use of Ovid's poem with contributions from international scholars. It begins by examining the use of Ovid's myth in early Elizabethan literature, a use dramatically changed by Marlowe and Shakespeare himself. It then offers detailed readings of Shakespeare's use of Ovid in a wide range of plays and poems, placing emphasis on several important but often underestimated features. The book also provides a survey of twentieth-century criticism and methodology in the field.
If Shakespeare's last plays--Pericles, Cymbeline, The Winter's Tale, The Tempest, and Henry VIII--are to be neither debunked nor idealized but taken seriously on their own terms, they must be examined
If Shakespeare's last plays--Pericles, Cymbeline, The Winter's Tale, The Tempest, and Henry VIII--are to be neither debunked nor idealized but taken seriously on their own terms, they must be examined
Containing Shakespeare's four Last Plays - The Tempest, Pericles, The Winter's Tale and Cymbeline, this single-column text of the plays features Signet footnotes, is supplemented with bibliographies,
Pericles was Shakespeare's first full-blown tragicomedy, the precursor to The Winter's Tale, Cymbeline and The Tempest, and one of his most popular plays in the seventeenth century. This Penguin editi
Shakespeare's Late Work is a detailed reading of the plays written at the end of Shakespeare's career, centering on Pericles, Cymbeline, The Winter's Tale, and The Tempest. Unlike many previous studie
