and modern russian fiction

"Bakhtin, Stalin, and Modern Russian Fiction" presents an advanced introduction to the work of the Russian theorist Mikhail Bakhtin, focusing on the concepts of carnival, dialogism, and historicism. T

Science fiction emerged in Russia considerably earlier than its English version and instantly became the hallmark of Russian modernity. We Modern People investigates why science fiction appeared here,

Rzhevsky (European languages, literature, and culture, Stony Brook University) presents an anthology of tales, stories, poems, songs, and excerpts from novels and plays, which offers an introduction t

'It reads like fiction, but it is, astonishingly, history' THE TIMESIN 1917, AN ECCENTRIC BAND OF BRITISH SPIES IS SMUGGLED INTO NEWLY SOVIET RUSSIA. Their goal is to defeat Lenin's plan to destroy British India and bring down the democracies of the West. These extraordinary spies, led by Mansfield Cumming, proved brilliantly successful.They found a wholly new way to deal with enemies, one that relied on espionage and dirty tricks rather than warfare. They were the unsung founders of today's modern, highly professional secret services. They were also the inspiration for fictional heroes to follow, from James Bond to James Bond.'Readers will find themselves as gripped as they would be by the very best of Fleming or le Carre' SUNDAY TIMES'Marvellous, meticulously researched and truly groundbreaking' SIMON WINCHESTER

Vladimir Galaktionovich Korolenko (1853-1921) was a popular short fiction writer in pre-revolutionary Russian until overshadowed by his contemporary Anton Checkov. Balasubramanian (modern languages, U

Blanche H. Gelfant's book Cross-Cultural Reckonings both demonstrates and questions the applicability of postmodern cultural and literary theories to realistic texts - to fiction and autobiographies valued for their truth. Drawing together an unusual combination of Russian, American and Canadian writers, the various essays of this book provide original perspectives upon the puzzling issues of national identity, of historical change and continuity, of gender and the integrity of literary genres, the boundaries between text and context and the underlying if overlooked conflicts between the post-modern critic's scepticism and a writer's belief in the transcendence of art and truth. These writers are discussed singly and in comparative essays, each of which is discrete and self-contained, while all interconnect and reflect upon each other as exemplary demonstrations of cross-cultural literary criticism and the deferred final judgement that results from a weighing and reweighing of books.

Blanche H. Gelfant's book Cross-Cultural Reckonings both demonstrates and questions the applicability of postmodern cultural and literary theories to realistic texts - to fiction and autobiographies valued for their truth. Drawing together an unusual combination of Russian, American and Canadian writers, the various essays of this book provide original perspectives upon the puzzling issues of national identity, of historical change and continuity, of gender and the integrity of literary genres, the boundaries between text and context and the underlying if overlooked conflicts between the post-modern critic's scepticism and a writer's belief in the transcendence of art and truth. These writers are discussed singly and in comparative essays, each of which is discrete and self-contained, while all interconnect and reflect upon each other as exemplary demonstrations of cross-cultural literary criticism and the deferred final judgement that results from a weighing and reweighing of books.

In 1919, Virginia Woolf wrote, “The most inconclusive remarks upon modern English fiction can hardly avoid some mention of the Russian influence, and if the Russians are mentioned one runs the

This groundbreaking 2007 volume gathers an international team of historians to present the practice of translation as part of cultural history. Although translation is central to the transmission of ideas, the history of translation has generally been neglected by historians, who have left it to specialists in literature and language. This book seeks to achieve an understanding of the contribution of translation to the spread of information in early modern Europe. It focuses on non-fiction: the translation of books on religion, history, politics and especially on science, or 'natural philosophy', as it was generally known at this time. The chapters cover a wide range of languages, including Latin, Greek, Russian, Turkish and Chinese. The book will appeal to scholars and students of the early modern and later periods, to historians of science and of religion, as well as to anyone interested in translation studies.

This groundbreaking 2007 volume gathers an international team of historians to present the practice of translation as part of cultural history. Although translation is central to the transmission of ideas, the history of translation has generally been neglected by historians, who have left it to specialists in literature and language. This book seeks to achieve an understanding of the contribution of translation to the spread of information in early modern Europe. It focuses on non-fiction: the translation of books on religion, history, politics and especially on science, or 'natural philosophy', as it was generally known at this time. The chapters cover a wide range of languages, including Latin, Greek, Russian, Turkish and Chinese. The book will appeal to scholars and students of the early modern and later periods, to historians of science and of religion, as well as to anyone interested in translation studies.

In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 – February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the

In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 – February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the

With intrigue that rivals the best le Carr novels, Russians Among Us tells the explosive story of Russia's espionage efforts against the United States and the West--from the end of the Cold War to the present and the significant threat of hacking the 2020 electionSpies have long been a source of great fascination in the world of fiction, but sometimes the best spy stories happen in real life. Russians Among Us tells the full story of Putin's escalating espionage campaign in the West, the Russian 'deep cover' spies who penetrated the US and the years-long FBI hunt to capture them. This book also details the recruitment, running, and escape of one of the most important spies of modern times, a man who worked inside the heart of Russian intelligence. In this thrilling account Corera tracks not only the history, but the astonishing evolution of Russian espionage, including the use of 'cyber illegals' who continue to manipulate us today and pose a significant threat to the 2020 election.Lik

2020 Foreword Indie Award Honorable Mention in the "Science & Technology" CategoryLate in 2017, the global significance of the conversation about artificial intelligence (AI) changed forever.China put the world on alert when it released a plan to dominate all aspects of AI across the planet. Only weeks later, Vladimir Putin raised a Russian red flag in response by declaring AI the future for all humankind, and proclaiming that, "Whoever becomes the leader in this sphere will become the ruler of the world."The race was on. Consistent with their unique national agendas, countries throughout the world began plotting their paths and hurrying their pace. Now, not long after, the race has become a sprint.Despite everything at stake, to most of us AI remains shrouded by a cloud of mystery and misunderstanding. Hidden behind complicated and technical jargon and confused by fantastical depictions of science fiction, the modern realities of AI and its profound implications are hard to deciph

In the madness of World War II, a dutiful Russian soldier is wrongfully convicted of treason and sentenced to ten years in a Siberian labor camp. So begins this masterpiece of modern Russian fiction,