the philosophy of chinese painting

本書為從石濤畫語錄中「中國畫」的哲學原理並研究探討。

Traditional Chinese painting was fundamentally an abstract art form. Artists did not seek to represent direct copies of the natural world; rather, traditional Chinese paintings sought to portray the harmony between the natural world and human emotion, evoking ancient Chinese philosophy. From ancient scroll paintings to Buddhist grottoes to modern art, Lin Ci explores the history, theory and development of distinctive styles of Chinese painting, illustrated throughout with full color examples of these unique, treasured works of art.

Painting has always been regarded by the Chinese as a supreme art, equal to those of poetry and philosophy. But dating back over 2,500 years, many Chinese paintings were made to be viewed just for a f

Essential Terms of Chinese Painting provides a comprehensive coverage of the broad spectrum of Chinese painting. Through an array of some 900 terms, it exhibits the history of Chinese culture, as interpreted by artists and portrayed in their work. In masterful detail, it describes not only the artistic implements and drawing styles, but also how these are influenced by changing cultural considerations over time such as religion, philosophy, intellectual ideas, and political developments. From the broad view of how the change of dynasties affected painting trends in both format and subject, to the smallest detail of the methods used to paint different styles of tree branches, this is a full compendium of the scope and depth of artwork from China. This volume features twelve chapters which • explore all major areas of art including techniques, implements and materials, inscriptions and seals, painting and mounting formats for all categories including landscape, bird-and-flower, figure

Hsiao (Chinese language and literature, U. of North Carolina-Chapel Hill) explores how illustration, painting, theater, literature, and philosophy interrelated and intersected in the context of drama

The meaning of life--as expressed in a single Chinese landscape painting: a new work of meditative philosophy by the renowned translator of the Chinese classics and author of Hunger Mountain. Join

Shan Shui Mountain|Water is the term we generally associate with the school of Chinese landscape art that many art historians around the world believe to be China’s most important contribution to the art of painting. Rooted in the philosophy of Daoism, the Shan Shui art movement - which first gained prominence during the waning years of the Tang dynasty (618-907) - actualizes its central precept that humans are but one of myriad manifestations of the Dao, and are therefore no more nor less significant than any other beings, and our destiny lies in abiding by the Way of Nature and living in harmony within it with humility, compassion and moderation. Using the three compositional principles of Shan Shui painting - Paths, Threshold and Heart - as his structure, Basil Pao assembled this collection of landscapes gathered during more than twenty years of travelling around the world into his latest book.