A powerful, thoughtful and bold comment on humanity and its future from one of today’s most thought-provoking artists. In his first picture book created specifically with a wider audience in mind, Oliver Jeffers shares a history of humanity and his dreams for its future. Where are we going? With his bold, exquisite artwork, Oliver Jeffers starts at the dawn of humankind following people on their journey from then until now, and then offers the reader a challenge: where do we go from here? How can we think about the future of the human race more than our individual lives? How can we save ourselves? How can we change our story? Illustrated in his instantly recognisable style, Oliver Jeffers’s exploration of the state of the world today is insightful, moving and powerful.A must-have for every forward-thinking person who wants the next generation to inherit a world to be proud of.
The idea of cultural heritage has become widespread in many countries, justifying government regulation and providing the background to disputes over valuable works of art and architecture. In this book, Derek Gillman uses several well-known cases from Asia, Europe, and the United States to review the competing claims that works of art belong either to a particular people and place, or, from a cosmopolitan perspective, to all of humankind. He looks at the ways in which the idea of heritage has been constructed. He focuses first on Britain and the writings of Edmund Burke and then on China and its medieval debate about the nature of 'our culture'. Drawing on a range of sources, including the work of Ronald Dworkin, Will Kymlicka, and Joseph Raz, Gillman relates debates about heritage to those in contemporary political philosophy and offers a liberal approach to moral claims and government regulation.
The idea of cultural heritage has become widespread in many countries, justifying government regulation and providing the background to disputes over valuable works of art and architecture. In this book, Derek Gillman uses several well-known cases from Asia, Europe, and the United States to review the competing claims that works of art belong either to a particular people and place, or, from a cosmopolitan perspective, to all of humankind. He looks at the ways in which the idea of heritage has been constructed. He focuses first on Britain and the writings of Edmund Burke and then on China and its medieval debate about the nature of 'our culture'. Drawing on a range of sources, including the work of Ronald Dworkin, Will Kymlicka, and Joseph Raz, Gillman relates debates about heritage to those in contemporary political philosophy and offers a liberal approach to moral claims and government regulation.
