This groundbreaking collection explores the beliefs and approaches to the history of English that do not make it into standard textbooks.Orthodox histories have presented a tunnel version of the histo
English here is neither the language nor the nationality, but the academic discipline. Practitioners of it ponder how it came to be, and how it might have and so might be different. All disciplines ar
The book presents post-war British historical drama not only as a phenomenon within literature and theatre, but also as an alternative form of representing the past, not as much competing with histori
During the quarter of a century after the Second World War, the United Kingdom designated thirty-two new towns across England, Scotland, Wales, and Northern Ireland. Why, even before selling council houses or denationalising public industries, did Margaret Thatcher's government begin to privatise these new towns? By examining the most ambitious of these projects, Milton Keynes, Guy Ortolano recasts our understanding of British social democracy, arguing that the new towns comprised the spatial dimension of the welfare state. Following the Prime Minister's progress on a tour through Milton Keynes on 25 September 1979, Ortolano alights at successive stops to examine the broader histories of urban planning, modernist architecture, community development, international consulting, and municipal housing. Thatcher's journey reveals a dynamic social democracy during its decade of crisis, while also showing how public sector actors begrudgingly accommodated the alternative priorities of market l
A Forest of Time, first published in 2002, is the first introduction for undergraduates, graduates and general readers to the notion that American Indian societies had vital interests in interpreting and transmitting their own histories in their own ways, for themselves. Drawing upon his own varied research as well as sampling the latest in scholarship from ethnohistory, anthropology, folklore and Indian studies, Dr Nabokov offers dramatic examples of how native peoples also put rituals and material culture, landscape, prophecies, and even the English language to the urgent service of keeping the past alive and relevant. Throughout these lively chapters, we also witness the American Indian historical imagination deployed as a coping skill and survival strategy. This book surveys the latest integrating ideas while offering a useful bibliography that opens up, and demands that we engage with, alternative chronicles for America's multi-cultural past.
A Forest of Time, first published in 2002, is the first introduction for undergraduates, graduates and general readers to the notion that American Indian societies had vital interests in interpreting and transmitting their own histories in their own ways, for themselves. Drawing upon his own varied research as well as sampling the latest in scholarship from ethnohistory, anthropology, folklore and Indian studies, Dr Nabokov offers dramatic examples of how native peoples also put rituals and material culture, landscape, prophecies, and even the English language to the urgent service of keeping the past alive and relevant. Throughout these lively chapters, we also witness the American Indian historical imagination deployed as a coping skill and survival strategy. This book surveys the latest integrating ideas while offering a useful bibliography that opens up, and demands that we engage with, alternative chronicles for America's multi-cultural past.
This volume explores the rich and complex histories of English, Scottish and Welsh theatres in the 'long' twentieth century since 1895. Twenty-three original essays by leading historians and critics investigate the major aspects of theatrical performance, ranging from the great actor-managers to humble seaside entertainers, from between-wars West End women playwrights to the roots of professional theatre in Wales and Scotland, and from the challenges of alternative theatres to the economics of theatre under Thatcher. Detailed surveys of key theatre practices and traditions across this whole period are combined with case studies of influential productions, critical years placed in historical perspective and evaluations of theatre at the turn of the millennium. The collection presents an exciting evolution in the scholarly study of modern British theatre history, skilfully demonstrating how performance variously became a critical litmus test of the great aesthetic, cultural, social, poli
