This book provides a new quantitative view of the wartime economic experiences of six great powers; the UK, the USA, Germany, Italy, Japan and the USSR. What contribution did economics made to war preparedness and to winning or losing the war? What was the effect of wartime experiences on postwar fortunes, and did those who won the war lose the peace? A chapter is devoted to each country, reviewing its economic war potential, military-economic policies and performance, war expenditures and development, while the introductory chapter presents a comparative overview. The result of an international collaborative project, the volume aims to provide a text of statistical reference for students and researchers interested in international and comparative economic history, the history of World War II, the history of economic policy, and comparative economic systems. It embodies the latest in economic analysis and historical research.
Was it coincidence that the modern state and modern science arose at the same time? This overview of the relations of science and state from the Scientific Revolution to World War II explores this issue, synthesising a range of approaches from history and political theory. John Gascoigne argues the case for an ongoing mutual dependence of the state and science in ways which have promoted the consolidation of both. Drawing on a wide body of scholarship, he shows how the changing functions of the state have brought a wider engagement with science, while the possibilities that science make available have increased the authority of the state along with its prowess in war. At the end of World War II, the alliance between science and state was securely established and, Gascoigne argues, is still firmly embodied in the post-war world.
Was it coincidence that the modern state and modern science arose at the same time? This overview of the relations of science and state from the Scientific Revolution to World War II explores this issue, synthesising a range of approaches from history and political theory. John Gascoigne argues the case for an ongoing mutual dependence of the state and science in ways which have promoted the consolidation of both. Drawing on a wide body of scholarship, he shows how the changing functions of the state have brought a wider engagement with science, while the possibilities that science make available have increased the authority of the state along with its prowess in war. At the end of World War II, the alliance between science and state was securely established and, Gascoigne argues, is still firmly embodied in the post-war world.
This is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to playwriting, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the history addresses the economic context that conditioned the drama presented. The history approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. All volumes include an extensive overview and timeline, followed by chapters on specific aspects of theatre. Volume Three examines the development of the theatre after World War II, through the productions of Broadway and beyond and into regional theatre across the country. Contributors also analyze new directions in theatre design, directing, and acting, as well as key plays and playwrights through the 1
This unique three-volume history covers all aspects of American theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Each volume includes an extensive overview and timeline followed by chapters on specific aspects of American theatre including vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, reception, modernism, scenography, stagecraft, and architecture. Volume I covers American theatre from its beginnings to the Civil War; Volume II covers the post-Civil War period to 1945; Volume III covers the period post-World War II to the 1990s.
This is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to playwriting, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the history addresses the economic context that conditioned the drama presented. The history approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. All volumes include an extensive overview and timeline, followed by chapters on specific aspects of theatre. Volume Three examines the development of the theatre after World War II, through the productions of Broadway and beyond and into regional theatre across the country. Contributors also analyze new directions in theatre design, directing, and acting, as well as key plays and playwrights through the 1
Russia on the Eve of Modernity is a pioneering exploration of a world that has been largely destroyed by revolutionary upheavals and obscured in historical memory by scholarly focus on elites. Drawing on traditional religious texts, ethnographic materials and contemporary accounts, this book brings to light the ideas and perceptions of the ordinary Russian people of the towns and countryside who continued to live in a pre-modern, non-Western culture that showed great resilience to the very end of the Romanov Empire. Leonid Heretz offers an overview of traditional Russian understandings of the world and its workings, and shows popular responses to events from the assassination of Alexander II to the First World War. This history of ordinary Russians illuminates key themes ranging from peasant monarchism to apocalyptic responses to intrusions from the modern world and will appeal to scholars of Russian history and the history of religion in modern Europe.
Russia on the Eve of Modernity is a pioneering exploration of a world that has been largely destroyed by revolutionary upheavals and obscured in historical memory by scholarly focus on elites. Drawing on traditional religious texts, ethnographic materials and contemporary accounts, this book brings to light the ideas and perceptions of the ordinary Russian people of the towns and countryside who continued to live in a pre-modern, non-Western culture that showed great resilience to the very end of the Romanov Empire. Leonid Heretz offers an overview of traditional Russian understandings of the world and its workings, and shows popular responses to events from the assassination of Alexander II to the First World War. This history of ordinary Russians illuminates key themes ranging from peasant monarchism to apocalyptic responses to intrusions from the modern world and will appeal to scholars of Russian history and the history of religion in modern Europe.
The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s, its rise to world prominence in the 1970s, its reception in the United States, and the revival of Cantonese cinema, among topics. Including contributions from a diverse roster of scholars, archivists, and film programmers, the book provides a wealth of new information and new conceptual framework, enabling a greater appreciation of the variety, range and depth of Hong Kong film.
