On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore--already under construction for more than a century--was announced: "Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September." The proposed dome was regarded far and wide as all but impossible to build: not only would it be enormous, but its original and sacrosanct design shunned the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air.Of the many plans submitted, one stood out--a daring and unorthodox solution to vaulting what is still the largest dome (143 feet in diameter) in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clockmaker named Filippo Brunelleschi, then forty-one, who would dedicate the next twenty-eight years to solving the puzzles of the dome's construction. In the process, he did nothin
In the vein of Brunelleschi's Dome, Galileo's Daughter, and Wittgenstein's Poker, Dante in Love is a geographic and spiritual re-creation of the poet's travels and the burst of creativity that produc
This classic survey of Italian Renaissance architecture ranges from the erection of Brunelleschi's dome for the Florence Cathedral to the works of Bramante and Leonardo in the Quattrocentro. First pub