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This is a semi-autobiographical novella about artistic pursuit and discovery. During the beginning of the 20th century, the possible connection between Paul Cézanne’s art and Henri Bergson’s philosophy was once a legend. However nowadays, few people mention this anymore. When our protagonist left his former career and returned to school in the 1990s, he fell into the world of art. While studying Western art theory, he was fascinated by the parallels between Bergson and the art he researched. Our main character followed the spiritual guidance of Cézanne and his successors, Matisse and Picasso, and devoted himself to tracing the prospect of this century-old legend. Through many struggles and endless toil, he resolved the mystery in Cézanne’s various paintings (e.g., cardplayers, smokers, still-lifes, mountains, portraits, bathers, etc.). He rediscovered Cézanne’s paintings in detail and found that Cézanne incorporated three Bergsonian figures (vertical and hor

本書的重要性在於統合塞尚晚年藝術與柏格森哲學的實質研究，從而論述柏格森哲學與現代藝術的密切關係。內容共分五章，第一章陳述目前「塞尚研究」之概況，檢視各家論述重點與問題所在，並指陳可能線索與本文立場；隨之，在第二章裡，進一步將各研究者的問題加以歸類，而統合於塞尚「研究自然」的核心理念之下，辨析各說之曲直原委，並批判其優缺點，以指出柏格森線索之必要性；在第三章中，本書將探究柏格森早期重要著作之要旨，並