Provocative insights into the nature of dancing as inseparable from human vitality and distinctiveness emerge from this spiraling study of specific cultural dance traditions brought into conversation
Provocative insights into the nature of dancing as inseparable from human vitality and distinctiveness emerge from this spiraling study of specific cultural dance traditions brought into conversation
Nietzsche's late works are brilliant and uncompromising, and stand as monuments to his lucidity, rigour, and style. This volume combines, for the first time in English, five of these works: The Antichrist, Ecce Homo, Twilight of the Idols, Nietzsche contra Wagner, and The Case of Wagner. Here, Nietzsche takes on some of his greatest adversaries: traditional religion, contemporary culture, and above all his one-time hero, the composer Richard Wagner. His writing is simultaneously critical and creative, putting into practice his alternative philosophical vision, which, after more than a hundred years, still retains its startling novelty and audacity. These new translations aim to capture something of the style and rhythm of the original German, so that the reader can get a sense of Nietzsche as not just a philosopher but also a consummate artist, capable of 'dancing with his pen', and as untimely as he claims to be.
Nietzsche's late works are brilliant and uncompromising, and stand as monuments to his lucidity, rigour, and style. This volume combines, for the first time in English, five of these works: The Antichrist, Ecce Homo, Twilight of the Idols, Nietzsche contra Wagner, and The Case of Wagner. Here, Nietzsche takes on some of his greatest adversaries: traditional religion, contemporary culture, and above all his one-time hero, the composer Richard Wagner. His writing is simultaneously critical and creative, putting into practice his alternative philosophical vision, which, after more than a hundred years, still retains its startling novelty and audacity. These new translations aim to capture something of the style and rhythm of the original German, so that the reader can get a sense of Nietzsche as not just a philosopher but also a consummate artist, capable of 'dancing with his pen', and as untimely as he claims to be.
Emma Roberts' 1835 work, compiled from articles she published in the Asiatic Journal, was well received in India and England. Roberts lived in India from 1828 with her sister and her brother-in-law, who served in the 61st Bengal infantry. In 1830 she moved to Calcutta, where she edited and wrote for the Oriental Observer and contributed to periodicals and annuals. Returning to London in 1832, she threw herself into the literary world, publishing in several different fields. This book reveals her sympathetic attitude to the Indian people and her genuine interest in providing a thorough and honest report of their culture. Volume 1 begins with a description of Calcutta. It reflects the diversity of Roberts' interests, covering topics from marriages to murders, domestic arrangements to military operations, religion to shopping, and architecture to dancing. For more information on this author, see http://orlando.cambridge.org/public/svPeople?person_id=robeem
