We live in an age of narrative: life stories are a crucial ingredient in what makes us human and, in turn, what kind of human they make us. In recent years, narrative analysis has grown and is used ac
We live in an age of narrative: life stories are a crucial ingredient in what makes us human and, in turn, what kind of human they make us. In recent years, narrative analysis has grown and is used ac
This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a literary study, although it often discusses the wider themes of the narrative. It is a close reading of the text concentrating on the developing meanings of words within the structuring of the play. In particular, Simon Goldhill focuses on the text's interests in language and its control, in sexuality and sexual difference, and in the progression and description of events. Dr Goldhill links a sound philological knowledge with material drawn widely from modern literary theory and anthropological studies. The result is a challenging and provocative book, which offers for the serious student of Greek drama an exciting range of insights into one of the most important texts of the ancient world.
In this wide-ranging survey of ancient Greek narrative from archaic epic to classical prose, Alex Purves shows how stories unfold in space as well as in time. She traces a shift in authorial perspective, from a godlike overview to the more focused outlook of human beings caught up in a developing plot, inspired by advances in cartography, travel, and geometry. Her analysis of the temporal and spatial dimensions of ancient narrative leads to new interpretations of important texts by Homer, Herodotus, and Xenophon, among others, showing previously unnoticed connections between epic and prose. Drawing on the methods of classical philology, narrative theory, and cultural geography, Purves recovers a poetics of spatial representation that lies at the core of the Greeks' conception of their plots.
In this wide-ranging survey of ancient Greek narrative from archaic epic to classical prose, Alex Purves shows how stories unfold in space as well as in time. She traces a shift in authorial perspective, from a godlike overview to the more focused outlook of human beings caught up in a developing plot, inspired by advances in cartography, travel, and geometry. Her analysis of the temporal and spatial dimensions of ancient narrative leads to new interpretations of important texts by Homer, Herodotus, and Xenophon, among others, showing previously unnoticed connections between epic and prose. Drawing on the methods of classical philology, narrative theory, and cultural geography, Purves recovers a poetics of spatial representation that lies at the core of the Greeks' conception of their plots.
Andrew Bennett's original study of Keats focuses on questions of narrative and audience as a means to offer new readings of the major poems. It discusses ways in which reading is 'figured' in Keats's poetry, and suggests that such 'figures of reading' have themselves determined certain modes of response to Keats's texts. Together with important new readings of Keats's poetry, the study presents a significant rethinking of the relationship between Romantic poetry and its audience. Developing recent discussions in literary theory concerning narrative, readers and reading, the nature of the audience for poetry, and the Romantic 'invention' of posterity, Bennett elaborates a sophisticated and historically specific reconceptualization of Romantic writing.
Developing a model of narrative based on game theory, Thomas Leitch offers a compelling new explanation for the distinctiveness and power of Hitchcock's films. Games such as the director's famous came
Einstein's Jury is the dramatic story of how astronomers in Germany, England, and America competed to test Einstein's developing theory of relativity. Weaving a rich narrative based on extensive archi
Double-diffusive convection is a mixing process driven by the interaction of two fluid components which diffuse at different rates. Leading expert Timour Radko presents the first systematic overview of the classical theory of double-diffusive convection in a coherent narrative, bringing together the disparate literature in this developing field. The book begins by exploring idealized dynamical models and illustrating key principles by examples of oceanic phenomena. Building on the theory, it then explains the dynamics of structures resulting from double-diffusive instabilities, such as the little-understood phenomenon of thermohaline staircases. The book also surveys non-oceanographic applications, such as industrial, astrophysical and geological manifestations, and discusses the climatic and biological consequences of double-diffusive convection. Providing a balanced blend of fundamental theory and real-world examples, this is an indispensable resource for academic researchers, profes
Double-diffusive convection is a mixing process driven by the interaction of two fluid components which diffuse at different rates. Leading expert Timour Radko presents the first systematic overview of the classical theory of double-diffusive convection in a coherent narrative, bringing together the disparate literature in this developing field. The book begins by exploring idealized dynamical models and illustrating key principles by examples of oceanic phenomena. Building on the theory, it then explains the dynamics of structures resulting from double-diffusive instabilities, such as the little-understood phenomenon of thermohaline staircases. The book also surveys non-oceanographic applications, such as industrial, astrophysical and geological manifestations, and discusses the climatic and biological consequences of double-diffusive convection. Providing a balanced blend of fundamental theory and real-world examples, this is an indispensable resource for academic researchers, profes
