By now a classic, it presents in a single volume a coherent overall view of the history and the changing character of Early Christian and Byzantine architecture, from Rome and Milan to North Africa, f
In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.
The contributors to this 1992 book examine various aspects of the relationship among Christianity and the visual arts, architecture and music in Russia. Within this broad area the book concentrates on specific topics rather than attempting a broad survey. Nonetheless, the range of material extends from the earliest stages of the introduction of Byzantine art forms in Kievan Russia to the relation between Christian and folk decorative/iconographic motifs to the use of religious imagery in the work of contemporary filmmaker Andrei Tarkovskii. The related interests of the contributors create a concentration of topics in certain periods such as the late nineteenth and early twentieth centuries. Some of the chapters are academically specialized, others are easily accessible to a general audience; but all are based on thorough and careful scholarship. Christianity and the Arts in Russia is based on, but not limited to, a symposium held at the Library of Congress in 1988 to mark the millenniu
The contributors to this 1992 book examine various aspects of the relationship among Christianity and the visual arts, architecture and music in Russia. Within this broad area the book concentrates on specific topics rather than attempting a broad survey. Nonetheless, the range of material extends from the earliest stages of the introduction of Byzantine art forms in Kievan Russia to the relation between Christian and folk decorative/iconographic motifs to the use of religious imagery in the work of contemporary filmmaker Andrei Tarkovskii. The related interests of the contributors create a concentration of topics in certain periods such as the late nineteenth and early twentieth centuries. Some of the chapters are academically specialized, others are easily accessible to a general audience; but all are based on thorough and careful scholarship. Christianity and the Arts in Russia is based on, but not limited to, a symposium held at the Library of Congress in 1988 to mark the millenniu
Ross provides a broad survey of pictures and texts concerning saints, from the Early Christian through the late Gothic period. Both Western and Byzantine material is included. Beginning with the earli
