Against realism: Synthesis of form and feeling May 1884 saw the publication in Paris of a fin de siècle novel that became a perverse sensation on the European cultural scene.
This, the fourth volume to be published in the series Theatre in Europe: A Documentary History, charts the development of theatrical presentation at a time of great cultural and political upheaval and is, for today's theatre practitioner, historian and theoretician, the most inspiring and important period in the evolution of our art. Putting on plays was no longer an end in itself, but the creation of imaginary worlds had to be justified on ethical, sociological, political, as well as aesthetic grounds. It is also a period that still affects every aspect of play-making today. With few exceptions, the documents from France, Germany, Russia, Scandinavia, Italy and Spain are unavailable to an English-reading public and many are out of print (or unpublished) in their original language. The volume contains numerous illustrations, the source location for each document and substantial bibliography.
Vaz da Silva (anthropology and folklore, U. of Lisbon, Portugal) applies his expertise as an anthropologist to folklore. The study analyzes folktales thematically, including an exhaustive treatment o
This, the fourth volume to be published in the series Theatre in Europe: A Documentary History, charts the development of theatrical presentation at a time of great cultural and political upheaval and is, for today's theatre practitioner, historian and theoretician, the most inspiring and important period in the evolution of our art. Putting on plays was no longer an end in itself, but the creation of imaginary worlds had to be justified on ethical, sociological, political, as well as aesthetic grounds. It is also a period that still affects every aspect of play-making today. With few exceptions, the documents from France, Germany, Russia, Scandinavia, Italy and Spain are unavailable to an English-reading public and many are out of print (or unpublished) in their original language. The volume contains numerous illustrations, the source location for each document and substantial bibliography.
This book is the first detailed history of the Russian Symbolist movement, from its initial hostile reception as a symptom of European decadence to its absorption into the mainstream of Russian literature, and eventual disintegration. It focuses on the two generations of writers whose work served as the seedbed of Existentialism in thought and of Modernism in prose and the performing arts, and reassesses their achievements in the light of modern research. At the centre of the study are the texts themselves, with prose quoted in English translation and poetry given in the original Russian with prose translations. There is a valuable bibliography of primary sources and an extensive chronological appendix. This book will fill a long-felt gap, and will be invaluable to students and teachers of Russian and comparative literature, Symbolism, Modernism, and pre-revolutionary Russian culture.
This is a comparative and interdisciplinary book exploring a variety of perspectives on the artistic culture of France, and its neighbours, in the period 1870-1914. Part One centres on France, and ass
Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.
Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.
Richard Nixon and Nikita Khrushchev's famous "kitchen debate" in 1958involved more than the virtues of American appliances. Both Nixon and Khrushchev recognized thepolitical symbolism of the modern ki
Richard Nixon and Nikita Khrushchev's famous "kitchen debate" in 1958involved more than the virtues of American appliances. Both Nixon and Khrushchev recognized thepolitical symbolism of the modern ki
Shakespeare's sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this spiritual alchemy is working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work - construed as essential to inspired poetic making - is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems and transforms our understanding of Shakespeare's art.
The claim by certain rulers to universal empire has a long history stretching as far back as the Assyrian and Achaemenid Empires. This book traces its various manifestations in classical antiquity, the Islamic world, Asia and Central America as well as considering seventeenth- and eighteenth-century European discussions of international order. As such it is an exercise in comparative world history combining a multiplicity of approaches, from ancient history, to literary and philosophical studies, to the history of art and international relations and historical sociology. The notion of universal, imperial rule is presented as an elusive and much coveted prize among monarchs in history, around which developed forms of kingship and political culture. Different facets of the phenomenon are explored under three, broadly conceived, headings: symbolism, ceremony and diplomatic relations; universal or cosmopolitan literary high-cultures; and, finally, the inclination to present universal imper
Shakespeare's sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this spiritual alchemy is working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work - construed as essential to inspired poetic making - is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems and transforms our understanding of Shakespeare's art.
This book examines the meaning, structure, practices and symbolism of corruption in relationship to European Union structural funding in Romania. It offers a unique account of the complex transformati
