While the centrality of classical Roman imagery in Italian fascism is widely recognized, it is frequently dismissed as mere theater intended to mask fascism's lack of ideological coherence. Arthurs (h
This book scrutinizes physical, temporal and psychological strata across early twentieth-century literature, focusing on geological and archaeological tropes and conceptions of the stratified psyche.
For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th cent
