Veevers brilliantly retells the story we thought we knew...Important and thrilling' Dan SnowThe story of the British Empire is a familiar one: Britain came, it saw, it conquered, forging a glorious world empire upon which the sun never set. In fact, far from being the tale of a single nation imposing its will upon the world, the expanding British Empire frequently found itself frustrated by the power and tenacious resistance of the Indigenous and non-European people it encountered. From gruelling wars in Ireland to the failure to curtail North African Corsair states, all the way to the collapse of commercial operations in East Asia, British attempts to create an imperial enterprise often ended in disaster and even defeat.In The Great Defiance, David Veevers looks beyond the myths of triumph and into the realities of British misadventures in the early days of Empire, meeting the extraordinary Indigenous and non-European people across the world who were the real forces to be reckoned wit
In late 1917, the Russians, despite the revolution, were still willing to continue the war against Germany. This is an account of Operation Albion, the highly-successful seaborne operation launched by
Osprey's examination of the Battle of Mons of World War I (1914-1918). When the First World War broke out in August 1914 the Imperial German Army mistakenly assumed that the BEF – 'that contemptible l
This book offers the first critical study of the architecture of the Roman triumph, ancient Rome's most important victory ritual. Through case studies ranging from the republican to imperial periods, it demonstrates how powerfully monuments shaped how Romans performed, experienced, and remembered triumphs and, consequently, how Romans conceived of an urban identity for their city. Monuments highlighted Roman conquests of foreign peoples, enabled Romans to envision future triumphs, made triumphs more memorable through emotional arousal of spectators, and even generated distorted memories of triumphs that might never have occurred. This book illustrates the far-reaching impact of the architecture of the triumph on how Romans thought about this ritual and, ultimately, their own place within the Mediterranean world. In doing so, it offers a new model for historicizing the interrelations between monuments, individual and shared memory, and collective identities.
Modern approaches to Roman imperialism have often characterized Romanzation as a benign or neutral process of cultural exchange between Roman and non-Roman, conqueror and conquered. Although supported by certain types of literary and archaeological evidence, this characterization is not reflected in the visual imagery of the Roman ruling elite. In official imperial art, Roman children are most often shown in depictions of peaceful public gatherings before the emperor, whereas non-Roman children appear only in scenes of submission, triumph, or violent military activity. Images of children, those images most fraught with potential in Roman art, underscore the contrast between Roman and non-Roman and as a group present a narrative of Roman identity. As Jeannine Diddle Uzzi argues in this 2005 study, the stark contrast between images of Roman and non-Roman children conveys the ruling elite's notions of what it meant to be Roman.
Modern approaches to Roman imperialism have often characterized Romanzation as a benign or neutral process of cultural exchange between Roman and non-Roman, conqueror and conquered. Although supported by certain types of literary and archaeological evidence, this characterization is not reflected in the visual imagery of the Roman ruling elite. In official imperial art, Roman children are most often shown in depictions of peaceful public gatherings before the emperor, whereas non-Roman children appear only in scenes of submission, triumph, or violent military activity. Images of children, those images most fraught with potential in Roman art, underscore the contrast between Roman and non-Roman and as a group present a narrative of Roman identity. As Jeannine Diddle Uzzi argues in this 2005 study, the stark contrast between images of Roman and non-Roman children conveys the ruling elite's notions of what it meant to be Roman.
"We were sure that we would win, that we should score the first great triumph in a mighty world-movement."--Theodore Roosevelt, 1904Americans like to think they have no imperial past. In fact, the Uni
The Triumph of Empire takes readers into the political heart of imperial Rome and recounts the extraordinary challenges overcome by a flourishing empire. Michael Kulikowski’s history begins with the r
Attempts to shed new light on the Anglo-American rivalry in China in the period between the defeat of Japan and the triumph of the Chinese Communists. This study contends that the USSR was not a major
Historians who viewed imperial Rome in terms of a conflict between pagans and Christians have often regarded the emperor Constantine's conversion as the triumph of Christianity over paganism. But in
In the weeks and months after the end of the Spanish-American War, Americans celebrated their nation's triumph by eating sugar. Each of the nation's new imperial possessions, from Puerto Rico to the P
Within months of its greatest triumph in 1942, the Japanese Imperial Army began to face the difficulties which would eventually destroy it - overstretched supply lines, and inadequate industrial suppo
Britain's 'moment' in the Middle East: as it an Imperial triumph or a decisive staging post in the end-of-empire story? Sir Percy Cox (1864-1937) was a vital figure in the history of the British Empir
This is a thoroughly revised edition of Glynne Wickham's important history of the development of dramatic art in Christian Europe. Professor Wickham surveys the foundations on which this dramatic art was built: the architecture, costumes and ceremonial of the imperial court at Byzantium, the liturgies of countires in the Eastern and Western Empires and the triumph of the Roman rite and the Romanesque style in Western art. Within this context Professor Wickham describes three major influences upon the drama: religion, recreation and commerce. The first produced the liturgical music drama rooted in praise of Christ the King, vernacular Corpus Christi drama, Saint Plays and Moralities centred on the humanity of Christ. The second gave rise to the secular theatres of social recreation based on the games and dances of village communities ad the more sophisticated sex and war games of the nobility. The section on commerce shows how the development of the drama was intimately related to quest
To the Threshold of Power is the first volume of a two-part work that seeks to explain the origins and dynamics of the Fascist and National Socialist dictatorships. It lays a foundation for understanding the Nazi and Fascist regimes through parallel investigations of Italian and German society, institutions, and national myths; the supreme test of the First World War; and the post-1918 struggles from which the Fascist and National Socialist movements emerged. It emphasizes two principal sources of movement: the nationalist mythology of the intellectuals and the institutional culture and agendas of the two armies, especially the Imperial German Army and its Reichswehr successor. The book's climax is the cataclysm of 1914-18 and the rise and triumph of militarily organized radical nationalist movements - Mussolini's Fasci di combattimento and Hitler's National Socialist German Workers' Party - dedicated to the perpetuation of the war and the overthrow of the post-1918 world order.
Between 1916 and 1918, more than 3,800 men of the Australian Imperial Force were taken prisoner by German forces fighting on the Western Front. Australians captured in France and Belgium did not easily integrate into public narratives of Australia in the First World War and its commemorative rituals. Captivity was a story of surrender and inaction, at odds with the Anzac legend and a triumphant national memory. Soldiers captured on the Western Front endured a broad range of experiences in German captivity, yet all regarded survival as a personal triumph. Surviving the Great War is the first detailed analysis of the little-known story of Australians in German captivity in the First World War. By placing the hardships of prisoners of war in a broader social and military context, this book adds a new dimension to the national wartime experience and challenges popular representations of Australia's involvement in the First World War.
Ambrose of Milan is famous above all for his struggle with, and triumph over, 'Arian' heresy. Yet, almost all of the evidence comes from Ambrose's own writings, and from pious historians of the next generation who represented him as a champion of orthodoxy. This detailed study argues instead that an 'Arian' opposition in Milan was largely conjured up by Ambrose himself, lumping together critics and outsiders in order to secure and justify his own authority. Along with new interpretations of Ambrose's election as bishop, his controversies over the faith, and his clashes with the imperial court, this book provides a new understanding of the nature and significance of heretical communities in Late Antiquity. In place of rival congregations inflexibly committed to doctrinal beliefs, it envisages a world of more fluid allegiances in which heresy - but also consensus - could be a matter of deploying the right rhetorical frame.
